The Darkness In Red | Anish Kapoor

Untitled 6, etching, 30 x 35 in, 2007

“Red is the color of the interior of our bodies,” says Anish Kapoor (b. 1954) “Red is the center. I have a feeling that the darkness it reveals is a much deeper and darker darkness than that of blue or black.”

For nearly four decades, Kapoor has been captivated by the color red, creating intense pigments out of an array of mediums. The Bombay-born artist describes it as the color of the earth, blood, and body.

 

 

anish kapoor untitled 1, anish kapoor print, anish kapoor zane bennett contemporary art

Untitled 1, etching, 30 x 35 in, 2007

Renowned for his sculptures, Kapoor’s biomorphic forms blur the boundaries between architecture and art. Massive in scale and made with diverse mediums— including mirrors, granite, marble, wax, and PVC—Kapoor’s work often undulates throughout their environment.

Untitled 1 and Untitled 6 embody this motif, seeming to sink inwards and downwards. Both etchings are striking studies in the relationship between yellow and red.

“Yellow is the passionate part of red,” Kapoor explains. “That’s how I understood yellow… next to the red.”

Helen Frankenthaler | Veils of Color

helen frankenthaler madame de pompadour, zane bennett gallery helen frankenthaler

Madame de Pompadour, color lithograph, 44 x 30 in

 

“There are no rules. That is how art is born, how breakthroughs happen,” said Helen Frankenthaler (b. 1928) “Go against the rules or ignore the rules. That is what invention is about.”

For over six decades, Frankenthaler went against the rules, pioneering new techniques which launched the second generation of Color Field painting.

 

Her poured works were created by diluting paints to the delicate consistency of watercolors. The opaque stains spread into the fibers of the canvas, creating vivid veils of color—simultaneously bright yet soft abstract representations of real or imaginary landscapes.

 

“What concerns me when I work, is not whether the picture is a landscape, or whether it’s pastoral, or whether somebody will see a sunset in it,” Frankenthaler explains. “What concerns me is – did I make a beautiful picture?”

 

To learn more about this artwork, please inquire or contact us at 505-982-8111

 

Scroll below to see more works by Frankenthaler in our collection.

helen frankenthaler the clearing, helen frankenthaler, helen frankenthaler zane bennett gallery
The Clearing, woodcut, 24 x 32 in.

Bridget Riley | Kaleidoscope Color

Dominance Portfolio, serigraph, 38 x 19 in each, 1977

 

“For me,” says Bridget Riley (b. 1931.) “Nature is not landscape, but the dynamism of visual forces.”

Riley channels these forces into illusory studies of color and line—devising lithe imagery which is equally peaceful and emotional.

An icon of abstract painting, Riley has maintained a momentous and clear vision of optical phenomena for nearly seven decades.

Image: Ida Kar

Her prints and paintings are meticulously planned; envisioned through preparatory sketches and collages, then realized with precise forms and curves.

“Sometimes you have to let forms do what they want,” Riley explains. “I build up to a sensation, accumulating tension until it releases a perceptual experience.”

To add this work by Bridget Riley to your collection,
please inquire or contact us at 505-982-8111

Zane Bennett Returns: Stitched Ink

zane bennett gallery, zane bennett contemporary art, zane bennett gallery installation, stitched ink, donald sultan, donald sultan in gallery
Exhibitions Coordinator Brad Hart installs work by Donald Sultan.

 

Stitched Ink

January 25 – March 23, 2019
Opening Reception: Friday, January 25, 5-7 pm

“Zane Bennett is back,” says Sandy Zane. “Although it never really went away.”

Tonight, Zane Bennett Contemporary Art presents Stitched Ink, an exhibition of fine art prints by legends such as ChristoJudy ChicagoLouise Nevelson, and Donald Sultan.

Curator Kylee Aragon, who served as the interim gallery director of Albuquerque’s nonprofit lithography center Tamarind Institute before joining Zane Bennett’s staff, selected work from Zane Bennett’s formidable collection of masterworks on paper, highlighting iconic artists who have used highly tactile printmaking techniques to reflect the textures, patterns, and colors of textiles.

To preview works in the exhibition, click here. Scroll below for more information.

 

Christo, Christo Print, Zane Bennett Gallery Christo, Santa Fe Christo,Wrapped Building (Project for #1 Times Square, 42 Street and Broadway, New York City), Christo for sale,
Christo, Wrapped Building (Project for #1 Times Square, 42 Street and Broadway, New York City), lithograph and serigraph with collage elements, 30 x 23 in, 2003

 

Zane Bennett moved to a fully online model in 2016, after more than a decade as a brick-and-mortar gallery. In its stead came a new gallery, form & concept, but they’ll officially split exhibition space for the first time this evening.

Stitched Ink coincides with the reception for form & concept’s fiber art show Nika Feldman: Spirits in the Material World. The exhibition is Zane Bennett’s first formal, in-gallery display since 2015, and launches a curatorial program of seasonal exhibitions.

Louise Nevelson, Essence Series 5, louise neveson print, louise nevelson essence series, louise nevelson lithograph, louise nevelson art, louise nevelson purchas
Louise Nevelson, Essence Series 5, lithograph, 43.75 x 30 in

“We all know what paper feels like, but to make paper look like something else is a hard thing to do,” Aragon says. “When you’re making a print inspired by a textile, how do you create that sense of dimensionality and flowing movement on a two-dimensional surface?”

To answer these questions, Aragon selected works on paper that alchemically reflect the dynamism of textiles. Stitched Ink features thirteen pieces by six premier artists in our collection and is on view through March 23.

 

Ghada Amer & Reza Farkhondeh, Kiss Cross, Lithograph with Hand Sewn Elements, 24 x 30 in

 

The Epic Endeavor: Frank Stella’s Waves Series

Frank Stella- Waves Series- Moby-Dick- Zane Bennett Contemporary Art- Santa Fe New Mexico
Frank Stella by Christopher Felver, silver gelatin print

In 1986, Frank Stella embarked on an epic endeavor: adapting Herman Melville’s classic novel Moby-Dick into a body of work. He spent twelve years capturing the essence of the novel, resulting in four series with over 200 artworks that correspond with every twist and turn of the plot. The first series, The Waves, comprises thirteen vibrant, mixed-media prints that detail Captain Ahab’s obsessive quest. Behold four vibrant prints from the series, available individually or as a set. Each print is named for a chapter from the book, so we’ve provided chapter synopses below.

Frank Stella - The Waves Series - Ahab - Moby Dick - The Whale - Zane Bennett Gallery - Santa Fe

In Ahab, abstracted whale tails and a blood-red background
mark Ishmael’s first sighting of the doomed captain. 

Frank Stella
Ahab
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella - Hark! - The Waves Series - Moby Dick - Zane Bennett Gallery - Santa Fe

Hark! captures the quiet reverence the seamen have for
their captain—and the sounds of a calm ocean. 

Frank Stella
Hark!
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella - The Wave Series - A Squeeze of the Hand - Moby Dick - The Whale - Zane Bennett - Santa FeA Squeeze of the Hand offers a tour through the Pequod’s
“blubber-room,” hence the exuberant mish-mash of colors and forms.

Frank Stella
A Squeeze of the Hand
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella - The Pacific - The Wave Series - Moby Dick - Zane Bennett Gallery - Santa FeThe Pacific, with its fragmented vision of the titular whale
tinged in red, charts the Pequod’s passage into tumultuous waters.

Frank Stella
The Pacific
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Bird’s Eye View: Lu Xinjian

Lu Xinjian- City DNA Paintings- Zane Bennett Contemporary Art- Santa Fe New Mexico
Lu Xinjian, City DNA Santa Fe, acrylic on linen, 47.5 x 59.38 in, 2015

Can you find Zane Bennett Contemporary Art? Using aerial photos sourced from Google Earth, Lu Xinjian (b. 1977) meticulously depicted the streets of Santa Fe in acrylic on linen. City DNA Santa Fe is part of a larger series by the Chinese artist, where he reduces far-flung metropolises into densely patterned abstractions. Lu Xinjian hasn’t visited many of the places that appear in the expansive City DNA series. He completes each immense painting in his studio in China, traveling the globe through his brush and imagination. From Beijing to New York City to Amsterdam, Lu Xinjian precisely and energetically captures each city’s visual rhythm.

Click here to browse the complete Zane Bennett Contemporary Art collection.

Arturo Herrera In Motion.

Arturo Herrera- Art21- Play Documentary- Zane Bennett Contemporary Art- Santa Fe New Mexico

“Being Latin American, you are made up of so many fragments from different cultures,” Arturo Herrera (b. 1959) told Art21 in a documentary called Play. The sequence shows the Venezuela-born, New York and Berlin-based artist sifting through an enormous pile of clippings from paintings, drawings, and printed materials. These are the puzzle pieces for his abstract collages, which incorporate undulating forms and dazzling colors into compositions that almost seem to emit an exuberant hum.

Herrera’s editioned, mixed-media collage Johannes is one such visual chorus. Created over two years in collaboration with the printers at Pace Editions, Johannes is a tour de force of printmaking experimentation. This mixed-media collage is composed of more than 100 separately printed elements in various printmaking techniques, including etching, aquatint, linocut, letterpress, collagraph, silkscreen and digital pigment print. Watch this video from Pace that details the fascinating process, and learn more about the print below.

Arturo Herrera- Johannes- Mixed-Media Collage- Pace Editions- Zane Bennett Contemporary Art- Santa Fe New Mexico

 Arturo Herrera, Johannes,
 mixed-media collage with various printmaking techniques and felt,
62.5 x 39.5 in., 2012

Click here to browse the complete Zane Bennett Contemporary Art collection.

Sam Francis: Power & Containment

Sam Francis Artwork- Zane Bennett Contemporary Art- Santa Fe New Mexico

“Painting is about the beauty of space and the power of containment,” said Sam Francis (1923-1994). The abstract expressionist master is best known for paintings that show multicolored abstract splatters between luminous fields of white. “Containment” isn’t the first word you might use to describe these exuberant artworks that are devoid of hard edges. However, much like Jackson Pollock, Francis was actually exercising precise control in the creation of his work. Though Francis’s bright pigments are focal points, he knew that negative space was his most important compositional tool. These new prints in the Zane Bennett Contemporary collection are dazzling examples of his signature aesthetic.

Image: Sam Francis.

Sam Francis- Chinese Wall CTP- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Chinese Wall (CTP), 1969,
lithograph, 30.12 x 22.5 in.

Sam Francis- Untitled SF 236- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Untitled (SF 236)1978
lithograph, 38.25 x 28 in.

Sam Francis- Untitled SF 78- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Untitled (SF 78)1964
lithograph, 15.5 x 22.75 in.

Sam Francis- Untitled SF 319- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Untitled (SF 319)1964
lithograph, 15.5 x 22.75 in.

Sam Francis- Untitled AP- Aquatint and Drypoint- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Untitled AP1982
aquatint and drypoint, 29.87 x 23.87 in.

Sam Francis- Pasadena Box- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis,
III, from the Pasadena Box, Variant II, 1963,
lithograph, 15 x 11.25 in.

Click here to browse the complete Zane Bennett Contemporary Art collection.

Guy Dill Paints in the Air.

Guy Dill Sculpture outside of Zane Bennett Contemporary Art- Santa Fe New Mexico

Guy Dill (b. 1946) doesn’t make preparatory sketches for his sculptures. He paints or prints abstract imagery, and then captures the flowing motion of the pigment in three dimensions. “I knew I had to discuss painting in a sculptural way,” the California artist explains. He started his art career in New York City—Donald Judd was an early benefactor—but settled in Los Angeles in the 1970’s. “New York is about New York, and LA is about the world,” he quips.

From his West Coast home, Dill has indeed conquered the globe with his monumental sculptures in bronze, aluminum and marble. He’s mounted over 50 one-man exhibitions, and appears in the permanent collections of the Solomon R. Guggenheim Museum, the Museum of Modern Art, and the Stedelijk Museum. Dill’s artworks in the Zane Bennett Contemporary collection exemplify the complete span of his process, from his initial explorations in two dimensions to a sculptural expression that towers above the viewer.

Guy Dill Sculpture- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Boon, bronze, 120 x 70 x 60 in., 2008
Guy Dill- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Untitled RTP, lithograph, 26 x 34 in, 2009
Guy Dill- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Untitled RTP, lithograph, 26 x 26 in., 2009
Guy Dill- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Untitled RTP, lithograph, 26 x 34 in., 2009

Click here to browse the complete Zane Bennett Contemporary collection.

Call Me Stella.

Frank Stella Portrait- Christopher Felver- Photography
Image: Frank Stella by Christopher Felver, silver gelatin print

The first thing you need to know about Frank Stella‘s (b.1936) Waves series is that the vibrant, mixed-media prints are monumental. Each of them measures at least 6 feet high and over 4 feet wide. The American artist employed a trifecta of printmaking techniques to create them: serigraphy, lithography and linocut. The prints are hand-colored and collaged, ensuring that each one is unique.

Stella created these marvels of post-painterly abstraction over a 12-year period, between 1985 and 1997. His epic endeavor seems quite fitting if you consider his source of inspiration. The Waves series is a tribute to Herman Melville’s seminal Great American Novel Moby-Dick. Stella imagines himself as a stowaway on the whaler ship Pequod, joining the narrator Ishmael to chronicle Captain Ahab’s tumultuous quest for revenge against the elusive white whale Moby Dick. Each print is an abstract summary for one of the book’s 135 chapters—an elemental, topsy turvy impression of life at sea. To hear Stella speak about the series, check out this excerpt from Studio 360’s Modern Icons podcast about Moby-Dick.

Stella was also influenced by abstract expressionism for this series. “This is paying my debt, or not so much paying my debt as expressing my admiration for the abstract generation I grew up with and that I admired the most,” he said of Waves.

Works from the Waves series have passed through the Zane Bennett Contemporary collection before, but this release is truly remarkable. We acquired the mint condition prints from a private collection—including several images that we’ve never had before. They all hail from the same pull, and are a low edition number. We’re offering special pricing and right of first refusal to collectors who are interested in purchasing all six as a set, so make sure to contact us quickly if you’d like to own a piece of artistic—and literary—history.

Frank Stella- The Great Heidelburgh Tun- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
The Great Heidelburgh Tun
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- The Pacific- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
The Pacific
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- Squid- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
Squid
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- Ahab- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
Ahab
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- Hark- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
Hark!
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- A Squeeze of the Hand- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
A Squeeze of the Hand
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Click here to browse the complete Zane Bennett Contemporary Art collection.

Sam Francis in Winter.

Sam Francis- Artist Portrait- Photo by Meibao D. Nee.- Zane Bennett Contemporary Art

“Ideas hang around images like shadows,” said Sam Francis (1923-1994). “The space at the center of these paintings is reserved for you.”  The quote seems particularly apt when it comes to the abstract expressionist’s aquatint “The Five Continents in Wintertime.” Francis employs his idiosyncratic drips and splatters, but pulls back his typically vibrant palette to reflect the purple, blue and brown tones of bare branches set against winter skies. Between these cool winter “shadows,” a field of snowy white paper shows through.

Francis was born in San Mateo, California. He was initially influenced by the work of abstract expressionists such as Mark Rothko, Arshile Gorky and Clyfford Still. While living in Paris in the 1950’s, he became associated with Tachisme. Tachisme was a reaction to cubism and is characterized by spontaneous brushwork, drips and blobs of paint straight from the tube, and sometimes scribbling reminiscent of calligraphy. Francis spent his time in Paris executing entirely monochromatic works, but his mature pieces are generally large oil paintings with splashed or splattered areas of bright contrasting color. Areas of white canvas are often left to show through, and in later works, paint is sometimes confined to the edges of the canvas. Scroll down to view “The Five Continents in Wintertime” and other works by Sam Francis.

Image: Meibao D. Nee.

Sam Francis- The Five Continents in Wintertime- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
The Five Continents in Wintertime
aquatint, 23.75in x 48.75in
1984

Sam Francis- Color Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Untitled
color lithograph, 30 x 20 in.
1968

Sam Francis
Untitled #5, from Pasadena Box
lithograph, 11 x 15 in.
1963

Click here to browse the complete Zane Bennett Contemporary collection.