Call Me Stella.

Frank Stella Portrait- Christopher Felver- Photography
Image: Frank Stella by Christopher Felver, silver gelatin print

The first thing you need to know about Frank Stella‘s (b.1936) Waves series is that the vibrant, mixed-media prints are monumental. Each of them measures at least 6 feet high and over 4 feet wide. The American artist employed a trifecta of printmaking techniques to create them: serigraphy, lithography and linocut. The prints are hand-colored and collaged, ensuring that each one is unique.

Stella created these marvels of post-painterly abstraction over a 12-year period, between 1985 and 1997. His epic endeavor seems quite fitting if you consider his source of inspiration. The Waves series is a tribute to Herman Melville’s seminal Great American Novel Moby-Dick. Stella imagines himself as a stowaway on the whaler ship Pequod, joining the narrator Ishmael to chronicle Captain Ahab’s tumultuous quest for revenge against the elusive white whale Moby Dick. Each print is an abstract summary for one of the book’s 135 chapters—an elemental, topsy turvy impression of life at sea. To hear Stella speak about the series, check out this excerpt from Studio 360’s Modern Icons podcast about Moby-Dick.

Stella was also influenced by abstract expressionism for this series. “This is paying my debt, or not so much paying my debt as expressing my admiration for the abstract generation I grew up with and that I admired the most,” he said of Waves.

Works from the Waves series have passed through the Zane Bennett Contemporary collection before, but this release is truly remarkable. We acquired the mint condition prints from a private collection—including several images that we’ve never had before. They all hail from the same pull, and are a low edition number. We’re offering special pricing and right of first refusal to collectors who are interested in purchasing all six as a set, so make sure to contact us quickly if you’d like to own a piece of artistic—and literary—history.

Frank Stella- The Great Heidelburgh Tun- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
The Great Heidelburgh Tun
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- The Pacific- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
The Pacific
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- Squid- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
Squid
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- Ahab- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
Ahab
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- Hark- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
Hark!
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- A Squeeze of the Hand- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
A Squeeze of the Hand
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Click here to browse the complete Zane Bennett Contemporary Art collection.

Spotlight: Roberto Diago.

Roberto Diago- El Mar Es Mi Frontera- Mixed Media Painting- Zane Bennett Contemporary Art- Santa Fe New Mexico

Image: Roberto Diago, El Mar es mi Frontera, mixed media on wood

Afro-Cuban artist Roberto Diago (b. 1971) recently unveiled La Historia Recordada, a solo exhibition at the Halsey Institute of Contemporary Art in Charleston, SC. The show highlights Diago’s substantial contributions to political and cultural conversations within Cuba—and larger dialogues about race and history on the global stage. Hyperallergic reflected on his influence in a recent story, excerpted here:

Diago’s work is often a direct criticism of racism in Cuba and explores the roots and role of slavery in Cuban history and culture. His work frequently contains found materials from neighborhoods in Havana near his home and studio. Raw materials such as wood, metal, and textiles make up much of his work — often these materials contain traces of their former uses, such as paint or building materials. Diago tracks a lineage of painterly abstraction and other forms in modern Cuban art, condensing them into a body of work that explores the vestiges of slavery and segregation in contemporary Cuban life. 

Diago’s mixed media work El Mar Es mi Frontera (The Sea Is my Border) is a highlight of the Zane Bennett Contemporary collection. Look below for more artwork by legendary Latin American artists in the gallery.

Rufino Tamayo- Untitled Red Face- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Rufino Tamayo
Untitled (Red Face)
lithograph, 27.25 x 19.25 in.
year: 1973

Carlos Cruz-Diez- Caura-14- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Carlos Cruz-Diez
Caura-14
lithograph, 23.6 x 27.5 in
year: 2015

Roberto Matta- Nue Bu- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Roberto Matta
Nue Bu
lithograph, 25 x 17.5 in
year: 1979

Ibrahim Miranda- Scroll Composite- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Ibrahim Miranda
Scroll Composite
serigraph, 12 x 12 in.
year: 1991

Mika Rottenberg- U5- Drawing- Zane Bennett Contemporary Art- Santa Fe New Mexico

Mika Rottenberg
U5
graphite,acrylic,and colored pencil on paper, 12.5 x 16.75
year: 2008

 

Click here to browse the complete Zane Bennett Contemporary Art collection.

Fresh Blooms from Donald Sultan

Donald Sultan- Hamptons Magazine- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan (b. 1951) emerged as a master of the New Image movement in the 1970’s, producing elegant, minimalist imagery using industrial materials that were decidedly postminimal. Abstracted blooms are an iconic motif in his work. The new screen print in our collection offers a prime example of Sultan’s style, characterized by stark, black forms amid vibrant fields of color. In the print, tar and flocking enhance the dark fields, transforming them into infinite chasms with powerful visual gravity.

Scroll down to view our new Sultan screen print—along with a full bouquet of the artist’s flower compositions—in the Zane Bennett Contemporary collection, and click here to browse all available works.

Image: David A. Land, Hamptons Magazine.

Donald Sultan- Flower Screen Print- Red and Black- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan
Red Poppies, July 24, 2012
screen print with tar and flocking
year: 2012

Donald Sultan- Flower Aquatint- Green- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan- Flower Aquatint- Red- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan- Flower Aquatint- Black- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan- Flower Aquatint- Blue- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan
Trumpet (Green, Red, Black & Blue) 
aquatint, 31.50 x 27.87 in (each print)

Donald Sultan- Black Flower Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan
Black Flowers September 12
lithograph, 29.87 x 22 in.

Click here to view the complete Zane Bennett Contemporary Art collection.

Unwrap a Christo.

Christo Artwork- Zane Bennett Contemporary Art- Santa Fe New Mexico

“All our projects are like fabulous expeditions,” said Christo (b.1935). “The story of each project is unique. Our projects have no precedent.” It’s a bold statement to make, but hard to deny when you look at the staggering output of Christo and his late, great partner Jeanne-Claude (1935-2009). Starting in the early 1960’s, they set out to wrap the world in flowing cloth. They’ve managed to cover quite a lot of ground since then, from Central Park to the Reichstag. Three new prints in our collection depict wrapped objects that are not monumental in size—but just as culturally significant. Wrapped Telephone shows an L.M. Ericsson design that’s iconic of early 20th century communication. Wrapped Motorcycle/Sidecar and Wrapped Automobile capture two symbols of freewheeling American innnovation. Both of the new prints come with complimentary gifts, pictured below. It’s a unique opportunity to “unwrap” a Christo this holiday season.

Image: Copyright 1963 Christo.

Christo Lithograph- Wrapped Ericsson Model Telephone- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo
Wrapped Telephon, Project for L.M. Ericsson Model
color lithograph with mixed-media collage
28 x 22 in.
year: 1985

This piece comes with a complimentary
L.M. Ericsson Model telephone, pictured below. 

                                               Christo- Wrapped Telephone- Zane Bennett Contemporary Art- Santa Fe New MexicoChristo- Wrapped Telephone- Zane Bennett Contemporary Art- Santa Fe New Mexico

 

Christo Lithograph- Wrapped Harley-Davidson Motorcycle and Sidecar- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo
Wrapped Motorcycle/Sidecar (Project for Harley-Davidson 1933 VL Model)
color lithograph with mixed-media collage
19.626 x 21.875 in.
year: 1997

This piece comes with a complimentary toy
Harley-Davidson 1933 VL Model with sidecar, pictured below.

                                               Christo- Wrapped Motorcycle- Zane Bennett Contemporary Art- Santa Fe New Mexico Christo- Wrapped Motorcycle- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo Lithograph- Wrapped Blue Studebaker Car- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo
Wrapped Automobile
(Project for 1950 Studebaker Champion, Series 9 G Coupe)

lithograph with mixed-media collage
17 x 21 in.
year: 2015

This piece comes with a complimentary die-cast
Champion Blue Studebaker, pictured below.

Christo- Wrapped Studebaker Automobile- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo Lithograph- Wrapped Statues- The Glyptothek- Munich Germany- Zane Bennett Contemporary Art

Christo
Wrapped Statues, the Glyptothek, Munich
serigraph and photo collage
35 x 27 inches
year: 1988

Click here to browse the complete Zane Bennett Contemporary Art collection.

Black Friday at Zane Bennett.

Shop Small at Zane Bennett Contemporary Art- Santa Fe New Mexico

Starting Black Friday (Nov. 24) and extending through Cyber Monday (Nov. 26), enjoy a 10% discount on any acquisition from Zane Bennett Contemporary Art. Scroll down to see our latest offerings, and browse the complete collection on our website.

Robert Motherwell Collage- Zane Bennett Contemporary Art- Santa Fe New Mexico

Robert Motherwell
America — La France Variations VI
lithograph and collage
46.5 x 32.125 in.
year: 1983-4

Helen Frankenthaler Screenprint- Zane Bennett Contemporary Art- Santa Fe New Mexico

Helen Frankenthaler
Solar Imp.
color screenprint
39.375 x 29.875 in.
year: 2001

Ellsworth Kelly Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Ellsworth Kelly
Untitled (Eight by Eight to Celebrate the Temporary Contemporary)
color lithograph
29 x 41 in.
year: 1983

Christo Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo
Wrapped Telephone, Project for L.M. Ericsson Model
color lithograph with mixed-media collage
28 x 22 in.
year: 1985

Christo
Wrapped Motorcycle/Sidecar (Project for Harley-Davidson 1933 VL Model)
color lithograph with mixed-media collage
19.626 x 21.875 in.
year: 1997

Francis Bacon
Lithograph for the Metropolitan Museum of Art
color lithograph poster
44.875 x 33.625 in.
year: 1975

Click here to browse the complete Zane Bennett Contemporary collection.

Halloween Art.

Mimmo Paladino- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Mimmo Paladino, Atlantico VI (Skeleton)linoleum block print, 74.25 x 23 in., 1987

Halloween is upon us, so we conjured a batch of spooky art from the Zane Bennett Contemporary collection. Behold Jim Dine’s raven à la Edgar Allan Poe, a spider web by Vija Celmins, a marionette masquerading as Frida Kahlo by Armond Lara, and other dark, mysterious creations. Trick or treat!

James Drake Prints- Zane Bennett Contemporary Art- Santa Fe New Mexico

James Drake
Salon of a Thousand Souls
lithograph
57 x 43 in.
1996

Armond Lara Sculpture- Zane Bennett Contemporary Art- Santa Fe New Mexico

Armond Lara
Marionette “As Frida”
wood and mixed media
36 x 15.50 x 16 in.

Manuel Amorim- Woodcut- Zane Bennett Contemporary Art- Santa Fe New Mexico

Manuel Amorim
Metamorphose
woodcut
17.75 x 11.75 in.

Vija Celmins- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Vija Celmins
Spider Web
serigraph
10.88 x 13 in.
2009

Jim Dine- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Jim Dine
Sun’s Night Glow
lithograph
35.5 x 51.5 in.
2000

Juan Jose Molina- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Juan Jose Molina
Untitled
lithograph
34 x 24.25 in.
1998

Click here to browse the complete Zane Bennett Contemporary collection.

Robert Rauschenberg, Rule Breaker.

Robert Rauschenberg- Cock Sure Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Robert Rauschenberg, Cock Sure, silkscreen, hot wax, silver pigment dust and acrylic on cardboard and glass, 60 x 40 in, 1993.

Robert Rauschenberg (1925-2008) is having a moment—though you could argue that the postmodern provocateur has been en mode since the midcentury. In any case, the Museum of Modern Art’s blockbuster survey show Robert Rauschenberg: Among Friends recently closed in New York, and SFMOMA’s manifestation of the exhibition opens in late November. The new show is titled Robert Rauschenberg: Erasing the Rules, a reference to the artist’s legendary erasure of a Willem De Kooning drawing in the name of art. It was a seminal moment in his early career, but hardly characteristic of the work he would produce in the following decades.

Rauschenberg was a master of addition rather than subtraction, fearlessly layering a vast arsenal of bizarre materials to create sculptural paintings, painted sculptures and three-dimensional drawings that he referred to as “Combines.” Cock Sure, a mixed-media print that he produced with Pace in the 1990’s, represents a late chapter of his persistent experimentation. “Cock Sure is an extension of his curiosity, applying paint directly onto the glass surface, increasing the depth of the work so that it became three-dimensional,” wrote Art Daily. “The work is characteristically by Rauschenberg as seen through the inclusion of everyday images: an open sign, chickens, a windmill, and a dog resting by a brick wall.” Scroll down to view more works by Rauschenberg in the Zane Bennett Contemporary collection.

Robert Rauschenberg- Arcanum VIII Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Robert Rauschenberg
Arcanum VIII
lithograph
22.5 x 15.5 in
1981

Robert Rauschenberg- Arcanum V Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Robert Rauschenberg
Arcanum V
color silkscreen with hand-coloring and collage on paper
22.5 x 15.5 in
1981

Robert Rauschenberg- Soviet/American Array II Intaglio- Zane Bennett Contemporary Art- Santa Fe New Mexico

Robert Rauschenberg
Soviet / American Array II
intaglio in 14 colors
87.5 x 52.25 in
1990

Click here to view all of our artwork by Robert Rauschenberg.

 

Ed Ruscha’s Hourglass.

Ed Ruscha Artwork- Zane Bennett Contemporary- Fine Art Prints
Ed Ruscha, Relos Arena (HC), 1988, lithograph, 30 x 22 in

Despite being credited with a Pop sensibility, Ed Ruscha (b. 1937) defies categorization with his diverse output of photographic books and tongue-in-cheek photo-collages, paintings, and drawings. Ruscha’s work is inspired by the ironies and idiosyncrasies of life in Los Angeles, which he often conveys by placing glib words and colloquial phrases atop photographic images or fields of color. Known for painting and drawing with unusual materials such as gunpowder, blood, and Pepto Bismol, Ruscha draws attention to the deterioration of language and pervasive clichés in pop culture.

Ruscha’s lithograph Relos Arena is new to the Zane Bennett Contemporary collection. The artist’s bold style and idiosyncratic splatter effects are on dynamic display in the piece, but it also possesses an elegance and subtlety that echoes its subject matter. Scroll down to view detail images of this work, and click here to inquire now.

Ed Ruscha- Hourglass Print- Detail- Zane Bennett Contemporary Art

Ed Ruscha- Hourglass Print- Detail- Zane Bennett Contemporary Art

Ed Ruscha- Hourglass Print- Detail- Zane Bennett Contemporary Art

Helen Frankenthaler’s Reflections.

Helen Frankenthaler- Works on Paper- Zane Bennett Contemporary Arts- Santa Fe New Mexico

“A really good picture looks as if it has happened at once,” said Helen Frankenthaler (1928-2011). “It’s an immediate image.” The West Coast artist developed an entire painting technique around this idea. By thinning her oils with turpentine or water and splashing them across canvases, she created abstract images that possessed the immediacy she was after. Famed art critic Clement Greenberg heralded her “soak-stain” compositions as the next step in abstract expressionism’s evolution, after Jackson Pollock’s breakthrough drip paintings rocked the world.

“When Greenberg brought the abstract painters Kenneth Noland and Morris Louis to Frankenthaler’s studio in 1953, they seized upon both her technique and the broad, flat expanses of color she created,” writes Jon Mann for Artsy. “Greenberg was quick to… highlight a second impulse and aesthetic in Abstract Expressionism—Color Field Painting—of which Frankenthaler would be a leading exponent for over a decade.” Frankenthaler’s lithograph Reflections X exemplifies the flowing, lyrical nature of her best paintings. It’s from her Reflections series, 12 lithographs that she made with Tyler Graphics in 1995. Scroll down to see the new piece, and two other prints from the Zane Bennett Contemporary collection.

Helen Frankenthaler- Reflections X- Series Lithograph- Zane Bennett Contemporary Art

Helen Frankenthaler
Reflections X
lithograph
14.75 x 11.75 in.

Helen Frankenthaler- Yellow Jack- Lithograph- Zane Bennett Contemporary Art

Helen Frankenthaler
Yellow Jack
lithograph
30 x 38 in
1987

Helen Frankenthaler
The Clearing
woodcut
16.75 x 21 in

Click here to learn more about artwork by Helen Frankenthaler in the Zane Bennett Contemporary Collection.