Curator Kylee Aragon, who served as the interim gallery director of Albuquerque’s nonprofit lithography center Tamarind Institute before joining Zane Bennett’s staff, selected work from Zane Bennett’s formidable collection of masterworks on paper, highlighting iconic artists who have used highly tactile printmaking techniques to reflect the textures, patterns, and colors of textiles.
To preview works in the exhibition, click here. Scroll below for more information.
Zane Bennett moved to a fully online model in 2016, after more than a decade as a brick-and-mortar gallery. In its stead came a new gallery, form & concept, but they’ll officially split exhibition space for the first time this evening.
Stitched Ink coincides with the reception for form & concept’s fiber art show Nika Feldman: Spirits in the Material World. The exhibition is Zane Bennett’s first formal, in-gallery display since 2015, and launches a curatorial program of seasonal exhibitions.
“We all know what paper feels like, but to make paper look like something else is a hard thing to do,” Aragon says. “When you’re making a print inspired by a textile, how do you create that sense of dimensionality and flowing movement on a two-dimensional surface?”
To answer these questions, Aragon selected works on paper that alchemically reflect the dynamism of textiles. Stitched Ink features thirteen pieces by six premier artists in our collection and is on view through March 23.
“I like to use light as a material, but my medium is actually perception,” said James Turrell (b. 1943). “I want you to sense yourself sensing —to see yourself seeing.” Turrell’s exhibition at the Guggenheim in 2013 was his first solo display in New York City since the 1980’s, and he was ready to catch Manhattan’s eye. In his skyscape titled Aten Reign, the Light and Space artist transformed the museum’s iconic rotunda into an enormous oculus that could only be viewed from the ground floor. The installation emanated the full spectrum of color, hypnotically shifting from hue to hue.
“Aten Reign, a series of suspended oval armatures and sheer scrims that span the entire cavity of the building, is so overwhelming, meditative, beautiful and suited to the space that you actually forget you’re in the Guggenheim, where it’s almost architecturally impossible to do so,” wrote Times Quotidian of the work. Turrell joked that Frank Lloyd Wright might not have approved of this radical alteration of the structure’s design. His revolutionary but ephemeral artistic statement is captured in this large-scale archival pigment print. Like the masterwork it depicts, this 44-by-65-inch piece has its own gravitational pull.
Lovers of beautiful books, rejoice! Zane Bennett Contemporary Art is now an official seller of TASCHEN Books, the revolutionary German imprint that deserves its own art museum. TASCHEN has collaborated with the likes of David Hockney, Christo & Jeanne-Claude and Beatriz Milhazes to produce limited edition books that are true works of art. We’re particularly excited about their new title Murals of Tibet, an epic chronicle of some of the greatest treasures of Buddhist culture and Tibetan heritage.
For more than a decade, photographer Thomas Laird traveled the length, breadth, and far-flung corners of Tibet’s plateau to capture the land’s spectacular Buddhist murals. Deploying new multi-image digital photography, Laird compiled the world’s first archive of these artworks, some walls as wide as 10 meters, in life-size resolution. In recognition of this World Heritage landmark and preservation of Tibetan culture, His Holiness the 14th Dalai Lama has signed all copies of this Collector’s Edition. As pictured, Murals of Tibetcomes with a stand designed by Pritzker Prize-winning architect and humanitarian pioneer Shigeru Ban.
Click the images below to view more books from TASCHEN, now available from Zane Bennett Contemporary Art. Browse all of our TASCHEN titles and other books in our online shop.
Guy Dill (b. 1946) doesn’t make preparatory sketches for his sculptures. He paints or prints abstract imagery, and then captures the flowing motion of the pigment in three dimensions. “I knew I had to discuss painting in a sculptural way,” the California artist explains. He started his art career in New York City—Donald Judd was an early benefactor—but settled in Los Angeles in the 1970’s. “New York is about New York, and LA is about the world,” he quips.
From his West Coast home, Dill has indeed conquered the globe with his monumental sculptures in bronze, aluminum and marble. He’s mounted over 50 one-man exhibitions, and appears in the permanent collections of the Solomon R. Guggenheim Museum, the Museum of Modern Art, and the Stedelijk Museum. Dill’s artworks in the Zane Bennett Contemporary collection exemplify the complete span of his process, from his initial explorations in two dimensions to a sculptural expression that towers above the viewer.
Click here to browse the complete Zane Bennett Contemporary collection.
Afro-Cuban artist Roberto Diago (b. 1971) recently unveiled La Historia Recordada, a solo exhibition at the Halsey Institute of Contemporary Art in Charleston, SC. The show highlights Diago’s substantial contributions to political and cultural conversations within Cuba—and larger dialogues about race and history on the global stage. Hyperallergic reflected on his influence in a recent story, excerpted here:
Diago’s work is often a direct criticism of racism in Cuba and explores the roots and role of slavery in Cuban history and culture. His work frequently contains found materials from neighborhoods in Havana near his home and studio. Raw materials such as wood, metal, and textiles make up much of his work — often these materials contain traces of their former uses, such as paint or building materials. Diago tracks a lineage of painterly abstraction and other forms in modern Cuban art, condensing them into a body of work that explores the vestiges of slavery and segregation in contemporary Cuban life.
Diago’s mixed media work El Mar Es mi Frontera (The Sea Is my Border) is a highlight of the Zane Bennett Contemporary collection. Look below for more artwork by legendary Latin American artists in the gallery.
Starting Black Friday (Nov. 24) and extending through Cyber Monday (Nov. 26), enjoy a 10% discount on any acquisition from Zane Bennett Contemporary Art. Scroll down to see our latest offerings, and browse the complete collection on our website.
Halloween is upon us, so we conjured a batch of spooky art from the Zane Bennett Contemporary collection. Behold Jim Dine’s raven à la Edgar Allan Poe, a spider web by Vija Celmins, a marionette masquerading as Frida Kahlo by Armond Lara, and other dark, mysterious creations. Trick or treat!
Robert Rauschenberg (1925-2008) is having a moment—though you could argue that the postmodern provocateur has been en mode since the midcentury. In any case, the Museum of Modern Art’s blockbuster survey show Robert Rauschenberg: Among Friends recently closed in New York, and SFMOMA’s manifestation of the exhibition opens in late November. The new show is titled Robert Rauschenberg: Erasing the Rules, a reference to the artist’s legendary erasure of a Willem De Kooning drawing in the name of art. It was a seminal moment in his early career, but hardly characteristic of the work he would produce in the following decades.
Rauschenberg was a master of addition rather than subtraction, fearlessly layering a vast arsenal of bizarre materials to create sculptural paintings, painted sculptures and three-dimensional drawings that he referred to as “Combines.” Cock Sure, a mixed-media print that he produced with Pace in the 1990’s, represents a late chapter of his persistent experimentation. “Cock Sure is an extension of his curiosity, applying paint directly onto the glass surface, increasing the depth of the work so that it became three-dimensional,” wrote Art Daily. “The work is characteristically by Rauschenberg as seen through the inclusion of everyday images: an open sign, chickens, a windmill, and a dog resting by a brick wall.” Scroll down to view more works by Rauschenberg in the Zane Bennett Contemporary collection.
Robert Rauschenberg Arcanum VIII
22.5 x 15.5 in
Robert Rauschenberg Arcanum V
color silkscreen with hand-coloring and collage on paper
22.5 x 15.5 in
Despite being credited with a Pop sensibility, Ed Ruscha (b. 1937) defies categorization with his diverse output of photographic books and tongue-in-cheek photo-collages, paintings, and drawings. Ruscha’s work is inspired by the ironies and idiosyncrasies of life in Los Angeles, which he often conveys by placing glib words and colloquial phrases atop photographic images or fields of color. Known for painting and drawing with unusual materials such as gunpowder, blood, and Pepto Bismol, Ruscha draws attention to the deterioration of language and pervasive clichés in pop culture.
Ruscha’s lithographRelos Arenais new to the Zane Bennett Contemporary collection. The artist’s bold style and idiosyncratic splatter effects are on dynamic display in the piece, but it also possesses an elegance and subtlety that echoes its subject matter. Scroll down to view detail images of this work, and click here to inquire now.