Sam Francis: Power & Containment

Sam Francis Artwork- Zane Bennett Contemporary Art- Santa Fe New Mexico

“Painting is about the beauty of space and the power of containment,” said Sam Francis (1923-1994). The abstract expressionist master is best known for paintings that show multicolored abstract splatters between luminous fields of white. “Containment” isn’t the first word you might use to describe these exuberant artworks that are devoid of hard edges. However, much like Jackson Pollock, Francis was actually exercising precise control in the creation of his work. Though Francis’s bright pigments are focal points, he knew that negative space was his most important compositional tool. These new prints in the Zane Bennett Contemporary collection are dazzling examples of his signature aesthetic.

Image: Sam Francis.

Sam Francis- Chinese Wall CTP- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Chinese Wall (CTP), 1969,
lithograph, 30.12 x 22.5 in.

Sam Francis- Untitled SF 236- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Untitled (SF 236)1978
lithograph, 38.25 x 28 in.

Sam Francis- Untitled SF 78- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Untitled (SF 78)1964
lithograph, 15.5 x 22.75 in.

Sam Francis- Untitled SF 319- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Untitled (SF 319)1964
lithograph, 15.5 x 22.75 in.

Sam Francis- Untitled AP- Aquatint and Drypoint- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Untitled AP1982
aquatint and drypoint, 29.87 x 23.87 in.

Sam Francis- Pasadena Box- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis,
III, from the Pasadena Box, Variant II, 1963,
lithograph, 15 x 11.25 in.

Click here to browse the complete Zane Bennett Contemporary Art collection.

Jeff Koons: Luxury & Degradation.

Jeff Koons- Zane Bennett Contemporary Art- Santa Fe New Mexico

“Everything has an opposite pole,” said Jeff Koons (b. 1955) of his Luxury and Degradation sculptures. “If you just present optimism without a darker side… there’s no definition of optimism.” The 1986 series appropriates imagery from advertisements and memorabilia for alcoholic beverages—fertile ground to stir up ideas about class, commerce and nostalgia. These highly polished objects have an aura of opulence, but are in fact made from stainless steel. “To me, the stainless steel is the material of the proletarian, it’s what pots and pans are made of. It’s very hard material and it’s fake luxury,” Koons explained.

The artist’s crowning achievement from the body of work is Jim Beam J.B. Turner Engine, a 9.5-foot-long model of a steam engine that’s loaded with bottles of whiskey. “I find it a very powerful image,” Koons said. “An image about progress, about future, about strength.” As always, Koons hovers on the edge of sincerity: his inspiration for the artwork was not an actual locomotive, but rather a kitschy decanter in the shape of one. He included an image of the Jim Beam sculpture in a set of three photolithographs named for the series. The Luxury & Degradation portfolio (1986) depicts the artist’s renditions of the steam engine, a Baccarat crystal set and a fisherman golfer figurine. Scroll down to see the works and learn more.

Above: Jeff Koons, by Andrew Burton AFP.

Jeff Koons
Luxury and Degradation
photolithograph (portfolio of three prints)
32 x 24 in. each
1986

Click here to browse the complete Zane Bennett Contemporary collection.

Rauschenberg’s Mona Lisa.

Robert Rauschenberg- Zane Bennett Contemporary Art- Santa Fe New Mexico

“Very quickly, a painting is turned into a facsimile of itself,” said Robert Rauschenberg (1925-2008). “One becomes so familiar with it that one recognizes it without looking at it.” He could’ve been talking about Leonardo da Vinci’s Mona Lisa, which makes a cameo in his 1996 intaglio print Banco, from Ground RulesThe portrait is so rooted in the modern cultural consciousness that we can instantly conjure it in our mind’s eye.

Thus, it’s a perfect tool for exploring the concept of authorship: the painting appears next to a window emblazoned with the words “YOUR NAME HERE.” By presenting the world’s most iconic painting beside advertising lingo, the postmodern master asks whether true ownership of an image is possible in the age of mass media. Learn more about the print below, and browse more works by Rauschenberg.

Image: Robert Rauschenberg.

Robert Rauschenberg- Banco from Ground Rules- Intaglio Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Robert Rauschenberg
Banco, from Ground Rules
Intaglio
41.25 x 27.43 in
1996

More works by Rauschenberg.

Robert Rauschenberg- Soviet American Array V- Intaglio Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Robert Rauschenberg
Soviet / American Array V
Intaglio in 7 Colors
88.5 x 53.5 in
1990

Robert Rauschenberg- Arcanum V- Silkscreen Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Robert Rauschenberg
Arcamum V
color silkscreen with hand-coloring and collage on paper
22.5 x 15.5 in
1981

Robert Rauschenberg- Soviet American Array II- Intaglio Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Robert Rauschenberg
Soviet / American Array II
Intaglio in 14 Colors
88.5 x 53.5 in
1990

Click here to view the complete Zane Bennett Contemporary collection.

Christo wraps Rome.

Christo- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Christo, Ponte Sant’Angelo, Wrapped, Project for Rome, mixed-media print, 25 x 23.87 in., 2011

“We are probably the only artists in the world who have a 2,000-page book on a work of art that doesn’t exist,” said Christo (b. 1935) of collaborating with his late partner Jeanne-Claude. A remarkable thing about the world-famous duo is that many of their fantastical ideas have become realities. Their monumental projects, such as The Gates in Central Park and Wrapped Reichstag, forever changed the world’s view of iconic locales. This success can be attributed, in large part, to that laborious documentation. “These projects reveal their identity through this whole process,” Christo said. “When I’m starting, I only have the slightest idea of how the work of art will exist.” Christo and Jeanne-Claude’s early-career proposal to wrap Rome’s oldest bridge, Ponte Sant’Angelo, is captured in this exquisite mixed-media print. It’s a screenprint with fabric, twine, felt pen and graphite. See more works by Christo from the Zane Bennett Contemporary collection below.

Books by Christo.

Christo- The Floating Piers- Taschen Books- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo and Jeanne-Claude
The Floating Piersbook, 10.6 x 11.4 in.

Christo- The Gates- Central Park- Taschen Books- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo and Jeanne-Claude
The Gatesbook, 10.6 x 11.4 in.

Artwork by Christo.

Christo- Wrapped Telephone- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo, Wrapped Telephone, Project for L.M. Ericsson Model,
color lithograph with collage of fabric, twine, and photograph, 28 x 22 in., 1985

Christo- Wrapped Automobiles- Fine Art Prints- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo, Wrapped Automobile (Project for 1950 Studebaker
Champion, Series 9G Coupe)
, lithograph, collage, 17 x 21 in., 2015

Christo- Wrapped Statues- Fine Art Prints- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo and Jeanne-Claude, Wrapped Statues, The Glyptothek, Munich,
serigraph and photo collage, 35 x 27 in., 1988

Click here to browse the complete Zane Bennett Contemporary collection.

Win a print by Manuel Amorim!

Manuel Amorim Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Manuel Amorim, Nuit Mauve, woodcut, 22.75 x 14.75 in., 2007.

You could win a work of art by Manuel Amorim (b. 1950)! Enter our free raffle for a chance to add his woodcut Nuit Mauve to your collection. Fragmented and existential, the Lisbon-born artist’s work centers on shadowy silhouettes moving solo through the universe.

To enter, simply subscribe to our email newsletter between today and Friday, May 11th. We’ll announce the winner next week.

More art by Manuel Amorim.

Manuel Amorim Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Manuel Amorim, Four Eyes, woodcut, 23.75 x 15.25 in., 2007.
Manuel Amorim Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Manuel Amorim, Em-Bas, woodcut, 15 x 9 in., 2007.
Manuel Amorim Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Manuel Amorim, Duex TeTes, woodcut, 23.25 x 13.25 in., 2007.
Manuel Amorim Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Manuel Amorim, Les Murs, woodcut, 20 x 13 in., 2007.

Click here to browse the complete Zane Bennett Contemporary collection.

Spotlight: Glass Art.

Michael Petry Sculpture- Form and Concept Gallery- Santa Fe New Mexico
Michael Petry, Glass Stone B50, blown glass, 13 x 6.5 x 9 in.

Matthew Szösz and Michael Petry exhibit exquisite glass sculptures in our sister gallery, form & concept. Szösz recently debuted the solo exhibition Minimal Tension, featuring new works from his ongoing series Inflatables and Ropework. The artist calls some of his experiments “material/process investigations” and others “bad ideas.” Either way, the key is to set up novel conditions in the studio, shifting heat, humidity and other variables to see how the glass responds. It’s a winding process—part scientific, part artistic—that has yielded significant treasures

Works from Petry’s installation piece Joshua D’s Wall are currently on display at form & concept. Originally installed in the Palm Springs Art Museum, the work featured a field of 250 hand-blown glass stones that are scattered over the museum floor. Joshua D’s Wall alludes to the Biblical story of Joshua and the crumbling walls of Jericho. Resembling small boulders, these glass stones evoke the earth’s magma and the many colors found therein, as well as Petry’s own artistic impression of the natural environment. An installation view of these works appeared in the Wall Street Journal’s guide to Santa Fe this spring.

Matthew Szosz Sculpture- Form and Concept Gallery- Santa Fe New Mexico
Matthew Szösz, untitled (inflatable) no. 85b, glass, 16.5 x 13 x 16.5 in.
Michael Petry Sculpture- Form and Concept Gallery- Santa Fe New Mexico
Michael Petry, Glass Stone AM 35, blown glass, 13 x 6.5 x 9 in.
Matthew Szosz Sculpture- Form and Concept Gallery- Santa Fe New Mexico
Matthew Szösz, untitled (inflatable) no. 80, glass, 18 x 17.5 x 12.75 in.
Michael Petry Sculpture- Form and Concept Gallery- Santa Fe New Mexico
Michael Petry, Glass Stone . 09, blown glass, 13 x 6.5 x 9 in.
Matthew Szosz Sculpture- Form and Concept Gallery- Santa Fe New Mexico
Matthew Szösz, Ouroboros, glass, 14 x 24 x 24 in.

Olafur Eliasson’s Berlin.

Olafur Eliasson- Your Reversed Berlin Sphere- GIF- Zane Bennett Contemporary Art- Santa Fe New Mexico

Danish-Icelandic artist Olafur Eliasson (b. 1967) turns a city skyline on its head in his mercurial artwork Your reversed Berlin sphereThe larger image shows Berlin from the window of Eliasson’s studio, with a smaller, inverted version of the same view embedded in its center. The artist uses color-effect filter glass to imbue the underlying C-Print with chameleonic properties: as the light shifts, the central disc reflects a vivid rainbow of yellows, oranges, pinks, purples and blues. It’s as though this iconic metropolis has cast its reflection in a glacial lake at sunset. The glass also acts as a mirror, allowing the viewer to glimpse their reflection hanging above the scene.

Eliasson’s art is driven by his interests in perception, movement, embodied experience, and feelings of self. He is perhaps best known for his gargantuan artwork The Weather Project in the Turbine Hall of Tate Modern, London. The 2003 installation turned the 35,520-square-foot exhibition space into a cradle for a sculptural depiction of the glowing sun. “Eliasson views the weather – wind, rain, sun – as one of the few fundamental encounters with nature that can still be experienced in the city,” writes Tate Modern. “Eliasson has sought to bring a part of London into the building, and through the experience and memory of the work, a part of it is taken back out into the city by the viewer.” Your reversed Berlin sphere evokes an elemental experience of another iconic European city. It’s an ever-shifting window into Berlin, with infinite visual appeal.

Olafur Eliasson- Your Reversed Berlin Sphere- Mixed-Media Artwork- Zane Bennett Contemporary Art- Santa Fe New Mexico

Olafur Eliasson
Your reversed Berlin sphere
Color-print on Fuji crystal archive II paper (matte)
mounted on dibond, color-effect filter glass, glass, wood frame
35.5 x 35.5 in
2016

Olafur Eliasson- Your Reversed Berlin Sphere- Color Gradient- Zane Bennett Contemporary Art- Santa Fe New Mexico

Click here to browse the complete Zane Bennett Contemporary collection.

Artists Rising.

Mike Rottenberg and Reynier Leyva Novo- Rising Artists- Zane Bennett Contemporary Art- Santa Fe New Mexico

Mika Rottenberg (b. 1976, Argentina) and Reynier Leyva Novo (b. 1983, Cuba) are hardly emerging artists. They’ve both exhibited at the Venice Biennale, and have artwork in the permanent collections of renowned institutions across the world. Recently, each of them have marked yet another important milestone in their artistic careers: they’ve landed major solo displays.

Rottenberg’s self-titled exhibition at the Bass Museum in Miami Beach (on view through April 30) focuses on elucidating the mechanics of late-stage, global capitalism by way of absurd and poetic comparisons. Novo mounted a solo presentation of his work at The Armory Show in New York early this year, hot off the heels of his contribution to the Cuban Pavilion at the 57th Venice Biennale last summer. His work challenges ideology and symbols of power, uprooting notions of an individual’s ability to affect change. Rottenberg and Novo’s respective artistic quests ring clear in these works on paper from the Zane Bennett Contemporary collection. Consider acquiring art by two rising creative luminaries!

Images: Mika Rottenberg (l) & Juan Carlos Alom

Mika Rottenberg- Drawing- Zane Bennett Contemporary Art- Santa Fe New Mexico

Mika Rottenberg
U5
graphite, acrylic and colored pencil on paper
12.5 x 16.75 in.
2008

Reynier Leyva Novo- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Reynier Leyva Novo
50 + 10
cut vinyl on paper
25.62 x 19.75 in.
2011

Reynier Leyva Novo- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Reynier Leyva Novo
Power or Justice
cut vinyl on paper
25.62 x 19.75 in.
2011

Reynier Leyva Novo- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Reynier Leyva Novo
Long Live the Heroine
cut vinyl on paper
25.62 x 19.75 in.
2011

Click here to browse the complete Zane Bennett Contemporary Art collection.

TASCHEN at Zane Bennett.

 

Murals of Tibet by TASCHEN at Zane Bennet Gallery
Murals of Tibet.

 

Lovers of beautiful books, rejoice! Zane Bennett Contemporary Art is now an official seller of TASCHEN Books, the revolutionary German imprint that deserves its own art museum. TASCHEN has collaborated with the likes of David HockneyChristo & Jeanne-Claude and Beatriz Milhazes to produce limited edition books that are true works of art. We’re particularly excited about their new title Murals of Tibet, an epic chronicle of some of the greatest treasures of Buddhist culture and Tibetan heritage.

For more than a decade, photographer Thomas Laird traveled the length, breadth, and far-flung corners of Tibet’s plateau to capture the land’s spectacular Buddhist murals. Deploying new multi-image digital photography, Laird compiled the world’s first archive of these artworks, some walls as wide as 10 meters, in life-size resolution. In recognition of this World Heritage landmark and preservation of Tibetan culture, His Holiness the 14th Dalai Lama has signed all copies of this Collector’s Edition. As pictured, Murals of Tibetcomes with a stand designed by Pritzker Prize-winning architect and humanitarian pioneer Shigeru Ban.

Click the images below to view more books from TASCHEN, now available from Zane Bennett Contemporary Art. Browse all of our TASCHEN titles and other books in our online shop.

 

 

David Hockney TASCHEN Book at Zane Bennett David Hockney, A Bigger Book

Andy Warhol TASCHEN book at Zane Bennett Gallery
Andy Warhol, Seven Illustrated Books, 1952 – 1959

 

TASCHEN book by Christopher Wool at Santa Fe gallery
Christopher Wool

 

The Gates by Christo and Jeanne-Claude book at Zane Bennett
Christo and Jeanne-Claude. The Gates

 

TASCHEN book Beatriz Millhazes at Zane Bennett
Beatriz Milhazes

Get Lost with Akira Yamaguchi.

Akira Yamaguchi- Artworks on Paper- Zane Bennett Contemporary Art- Santa Fe New Mexico

Akira Yamaguchi (b. 1969, Japan) is the kind of artist who lands in a circle of luminaries wherever he goes. Yamaguchi designed the cover art for the album V by the nu-jazz music duo United Future Organization, and illustrated the book Chronicles of My Life: An American in the Heart of Japan by Donald Keene. He’s good friends with the perennially hip director Sofia Coppola, who cast him as the bellhop in her Oscar-winning movie Lost in Translation. The artist’s densely detailed paintings of fantastical cityscapes, which modernize the multi-tiered aesthetic of Japanese Edo period pictures, would make perfect companion art for Coppola’s sprawling but hyperspecific film. Several prints of Yamaguchi’s images are part of the Zane Bennett Contemporary collection. Send your eyes on a visual walkabout!

Photo: Kawai Satoshi.

Akira Yamaguchi- Artwork on Paper- Zane Bennett Contemporary Art- Santa Fe New Mexico

Akira Yamaguchi
Tokei (Tokyo): Roppongi Hillsbronze
Inkjet Print
16 x 25 in
2005

Akira Yamaguchi- Artwork on Paper- Zane Bennett Contemporary Art- Santa Fe New Mexico

Akira Yamaguchi
Tokei (Tokyo): Hiroo and Roppongi
Inkjet Print
30 x 26 in
2005

Akira Yamaguchi- Artwork on Paper- Zane Bennett Contemporary Art- Santa Fe New Mexico

Akira Yamaguchi
Department Store: Nihonbashi Mitsukoshi
Inkjet Print
23 x 33 in
2011

Click here to browse the complete Zane Bennett Contemporary Art collection.

Guy Dill Paints in the Air.

Guy Dill Sculpture outside of Zane Bennett Contemporary Art- Santa Fe New Mexico

Guy Dill (b. 1946) doesn’t make preparatory sketches for his sculptures. He paints or prints abstract imagery, and then captures the flowing motion of the pigment in three dimensions. “I knew I had to discuss painting in a sculptural way,” the California artist explains. He started his art career in New York City—Donald Judd was an early benefactor—but settled in Los Angeles in the 1970’s. “New York is about New York, and LA is about the world,” he quips.

From his West Coast home, Dill has indeed conquered the globe with his monumental sculptures in bronze, aluminum and marble. He’s mounted over 50 one-man exhibitions, and appears in the permanent collections of the Solomon R. Guggenheim Museum, the Museum of Modern Art, and the Stedelijk Museum. Dill’s artworks in the Zane Bennett Contemporary collection exemplify the complete span of his process, from his initial explorations in two dimensions to a sculptural expression that towers above the viewer.

Guy Dill Sculpture- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Boon, bronze, 120 x 70 x 60 in., 2008
Guy Dill- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Untitled RTP, lithograph, 26 x 34 in, 2009
Guy Dill- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Untitled RTP, lithograph, 26 x 26 in., 2009
Guy Dill- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Untitled RTP, lithograph, 26 x 34 in., 2009

Click here to browse the complete Zane Bennett Contemporary collection.

El Anatsui’s Bottle-Top Sculpture

El Anatsui- Zane Bennett Contemporary Art- Santa Fe New Mexico
Image: El Anatsui.

“I work more like a sculptor and a painter put together,” says El Anatsui (b. 1944). The Ghanian artist’s fiery wall sculpture Paper and Gold is a vibrant testament to this process. The artwork is part of his critically acclaimed “bottle-top” series, assemblages made from thousands of aluminum pieces and stitched together with copper wire. The artist salvages these materials from recycling stations in his home of Nigeria, turning humble ephemera into flowing artworks that are often monumental in size. Click here to watch a video of the artist’s process on Art21, and scroll down to view the artwork.

El Anatsui,
Paper and Gold,
pigment inkjet print with hand-cut edges,
printed and hand-sculpted aluminum collage and copper wire,
20 x 20 in.

Click here to browse the Zane Bennett Contemporary Art collection.

Judy Chicago: The Godmother

Judy Chicago- Portrait- The New York Times Magazine- Zane Bennett Contemporary Art

Judy Chicago is having a moment. In the past few months, she’s been featured in an Artsy podcast, profiled in an article for W Magazine, and hailed as “The Godmother” in a recent piece by New York Times Magazine. Here’s an excerpt:

Once your eye is trained to see Chicago’s imprint, it is everywhere, and unmistakable. It’s in Petra Collins’s menstruation-positive T-shirts; in the forthcoming installation on Sunset Boulevard in L.A. by Zoe Buckman of a huge uterus drawn in neon tubing crowned with boxing gloves; in the pink “pussy hats” that are worn in opposition to Trump’s election. Images like these — symbolically overt, politically and anatomically in-your-face, forcing a public confrontation with sexism — are all descended from Chicago’s imagination.

Another article that appeared in the New York Times a few days ago analyzed the tumultuous legacy of critical perspectives on Chicago’s most iconic work, The Dinner Party:

[Chicago] said that despite the art media’s early disparagement of her work, her way of overcoming the disappointment was to go into her studio and continue making art. She found a supportive community in Southern California’s Ferus boys, notably the American artist and sculptor Billy Al Bengston, from whom she said she learned quite a bit. “Early on, he told me: ‘Never read reviews. Just count the column inches and the number of pictures,’ advice I heeded for many years. And given the vicissitudes of my career, it was really good advice.”

Chicago’s fiery feminist statement on the rebirth of humanity, Birth Tear / Tear, appeared at our sister gallery form & concept when Chicago visited last February. Watch our Q&A with her here, and inquire about the piece below.

Image: Photograph by Collier Schorr. Styled by Suzanne Koller. New York Times Magazine.

Judy Chicago Artwork- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Judy Chicago
Birth Tear / Tear
serigraph
24 x 34 in
year: 1985

Click here to browse the complete Zane Bennett Contemporary collection.

Call Me Stella.

Frank Stella Portrait- Christopher Felver- Photography
Image: Frank Stella by Christopher Felver, silver gelatin print

The first thing you need to know about Frank Stella‘s (b.1936) Waves series is that the vibrant, mixed-media prints are monumental. Each of them measures at least 6 feet high and over 4 feet wide. The American artist employed a trifecta of printmaking techniques to create them: serigraphy, lithography and linocut. The prints are hand-colored and collaged, ensuring that each one is unique.

Stella created these marvels of post-painterly abstraction over a 12-year period, between 1985 and 1997. His epic endeavor seems quite fitting if you consider his source of inspiration. The Waves series is a tribute to Herman Melville’s seminal Great American Novel Moby-Dick. Stella imagines himself as a stowaway on the whaler ship Pequod, joining the narrator Ishmael to chronicle Captain Ahab’s tumultuous quest for revenge against the elusive white whale Moby Dick. Each print is an abstract summary for one of the book’s 135 chapters—an elemental, topsy turvy impression of life at sea. To hear Stella speak about the series, check out this excerpt from Studio 360’s Modern Icons podcast about Moby-Dick.

Stella was also influenced by abstract expressionism for this series. “This is paying my debt, or not so much paying my debt as expressing my admiration for the abstract generation I grew up with and that I admired the most,” he said of Waves.

Works from the Waves series have passed through the Zane Bennett Contemporary collection before, but this release is truly remarkable. We acquired the mint condition prints from a private collection—including several images that we’ve never had before. They all hail from the same pull, and are a low edition number. We’re offering special pricing and right of first refusal to collectors who are interested in purchasing all six as a set, so make sure to contact us quickly if you’d like to own a piece of artistic—and literary—history.

Frank Stella- The Great Heidelburgh Tun- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
The Great Heidelburgh Tun
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- The Pacific- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
The Pacific
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- Squid- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
Squid
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- Ahab- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
Ahab
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- Hark- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
Hark!
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- A Squeeze of the Hand- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
A Squeeze of the Hand
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Click here to browse the complete Zane Bennett Contemporary Art collection.

Spotlight: Roberto Diago.

Roberto Diago- El Mar Es Mi Frontera- Mixed Media Painting- Zane Bennett Contemporary Art- Santa Fe New Mexico

Image: Roberto Diago, El Mar es mi Frontera, mixed media on wood

Afro-Cuban artist Roberto Diago (b. 1971) recently unveiled La Historia Recordada, a solo exhibition at the Halsey Institute of Contemporary Art in Charleston, SC. The show highlights Diago’s substantial contributions to political and cultural conversations within Cuba—and larger dialogues about race and history on the global stage. Hyperallergic reflected on his influence in a recent story, excerpted here:

Diago’s work is often a direct criticism of racism in Cuba and explores the roots and role of slavery in Cuban history and culture. His work frequently contains found materials from neighborhoods in Havana near his home and studio. Raw materials such as wood, metal, and textiles make up much of his work — often these materials contain traces of their former uses, such as paint or building materials. Diago tracks a lineage of painterly abstraction and other forms in modern Cuban art, condensing them into a body of work that explores the vestiges of slavery and segregation in contemporary Cuban life. 

Diago’s mixed media work El Mar Es mi Frontera (The Sea Is my Border) is a highlight of the Zane Bennett Contemporary collection. Look below for more artwork by legendary Latin American artists in the gallery.

Rufino Tamayo- Untitled Red Face- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Rufino Tamayo
Untitled (Red Face)
lithograph, 27.25 x 19.25 in.
year: 1973

Carlos Cruz-Diez- Caura-14- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Carlos Cruz-Diez
Caura-14
lithograph, 23.6 x 27.5 in
year: 2015

Roberto Matta- Nue Bu- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Roberto Matta
Nue Bu
lithograph, 25 x 17.5 in
year: 1979

Ibrahim Miranda- Scroll Composite- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Ibrahim Miranda
Scroll Composite
serigraph, 12 x 12 in.
year: 1991

Mika Rottenberg- U5- Drawing- Zane Bennett Contemporary Art- Santa Fe New Mexico

Mika Rottenberg
U5
graphite,acrylic,and colored pencil on paper, 12.5 x 16.75
year: 2008

 

Click here to browse the complete Zane Bennett Contemporary Art collection.