“There are no rules. That is how art is born, how breakthroughs happen,” said Helen Frankenthaler (b. 1928) “Go against the rules or ignore the rules. That is what invention is about.”
For over six decades, Frankenthaler went against the rules, pioneering new techniques which launched the second generation of Color Field painting.
Her poured works were created by diluting paints to the delicate consistency of watercolors. The opaque stains spread into the fibers of the canvas, creating vivid veils of color—simultaneously bright yet soft abstract representations of real or imaginary landscapes.
“What concerns me when I work, is not whether the picture is a landscape, or whether it’s pastoral, or whether somebody will see a sunset in it,” Frankenthaler explains. “What concerns me is – did I make a beautiful picture?”
Add a piece of art history to your walls this winter! There’s a new Special Offerssection on the Zane Bennett Contemporary Art website, featuring exceptional pricing on works by legendary artists. Scroll down to view prints by Pop Art icons and Pop-inspired artists from the new collection, and make sure to bookmark the Special Offers page for future additions.
“I thinkthat if you can turn off the mind and look only with the eyes, ultimately everything becomes abstract,” said Ellsworth Kelly (1923 – 2015).Kelly’s abstraction is rooted in the real world.His strong sense of form and color has often been tied to his time in the military, affinity for bird watching, and observations of nature. Although simplistic in imagery, Kelly’s work holds a certain tension.“I think what we all want from art is a sense of fixity, a sense of opposing the chaos of daily living,” said Kelly. “This an illusion, of course. Canvas rots. Paint changes color. In a sense, what I’ve tried to capture is the reality of flux, to keep art an open, incomplete situation, to get at the rapture ofseeing.”
Kelly was a pioneer of Color Field painting and minimalism whose influence extends across the second half the 20th century to the present.This is exemplified by the story behind Kelly’s Untitled (1983), a hand-signed lithograph that was included in the Eight by Eight to Celebrate the Temporary Contemporary suite. The portfolio features artwork by eight prominent artists, and was used as a fundraising vehicle for the Museum of Contemporary Art (MOCA) in Los Angeles. The artists who participated were Kelly, Richard Diebenkorn, Sam Francis, David Hockney, Robert Rauschenberg, Niki de Saint Phalle, Jean Tinguely, and Andy Warhol. This iconic collection is a testament to the cultural milieu of the United States in the 1980’s. This is a rare opportunity to own a piece of this illustrious history.
“All our projects are like fabulous expeditions,” said Christo (b.1935). “The story of each project is unique. Our projects have no precedent.” It’s a bold statement to make, but hard to deny when you look at the staggering output of Christo and his late, great partner Jeanne-Claude (1935-2009). Starting in the early 1960’s, they set out to wrap the world in flowing cloth. They’ve managed to cover quite a lot of ground since then, from Central Park to the Reichstag. Three new prints in our collection depict wrapped objects that are not monumental in size—but just as culturally significant. Wrapped Telephone shows an L.M. Ericsson design that’s iconic of early 20th century communication. Wrapped Motorcycle/Sidecar and Wrapped Automobile capture two symbols of freewheeling American innnovation. Both of the new prints come with complimentary gifts, pictured below. It’s a unique opportunity to “unwrap” a Christo this holiday season.
“Ideas hang around images like shadows,” said Sam Francis (1923-1994). “The space at the center of these paintings is reserved for you.” The quote seems particularly apt when it comes to the abstract expressionist’s aquatint “The Five Continents in Wintertime.” Francis employs his idiosyncratic drips and splatters, but pulls back his typically vibrant palette to reflect the purple, blue and brown tones of bare branches set against winter skies. Between these cool winter “shadows,” a field of snowy white paper shows through.
Francis was born in San Mateo, California. He was initially influenced by the work of abstract expressionists such as Mark Rothko, Arshile Gorky and Clyfford Still. While living in Paris in the 1950’s, he became associated with Tachisme. Tachisme was a reaction to cubism and is characterized by spontaneous brushwork, drips and blobs of paint straight from the tube, and sometimes scribbling reminiscent of calligraphy. Francis spent his time in Paris executing entirely monochromatic works, but his mature pieces are generally large oil paintings with splashed or splattered areas of bright contrasting color. Areas of white canvas are often left to show through, and in later works, paint is sometimes confined to the edges of the canvas. Scroll down to view “The Five Continents in Wintertime” and other works by Sam Francis.