Spooky Specials: James Drake, Mimmo Paladino & more.

mimmo paladino, paladino, paladino artist, mimmo paladino artist, linoleum block print, skeleton art, santa fe gallery, zanebennett gallery, zanebennett contemporary art

Mimmo Paladino

Atlantico VI (Skeleton)

 linoleum block print,

74.25 x 23 in.

1987

 

Trick or treat! We’ve conjured a batch of ghostly art from our collection. Beware Mimmo Paladino’s sinister skeletons, Jim Dine’s rogue raven, and James Drake’s malevolent monsters!

 

jim dine, jim dine artist, dine, dine artist, lithograph, raven art, bird art, halloween art, zanebennett gallery, zanebennett contemporary art, santa fe gallery

Jim Dine
Sun’s Night Glow
lithograph
35.5 x 51.5 in.
2000

 

james drake, james drake artist, lithograph, salon of a thousand souls, zanebennett gallery, zanebennett contemporary art, santa fe gallery, santa fe contemporary gallery

James Drake
Salon of a Thousand Souls
lithograph
57 x 43 in.
1996

Dynamic Duo: Ghada Amer & Reza Farkhondeh.

Ghada Amer & Reza Farkhondeh- Works on Paper- Zane Bennett Contemporary Art- Santa Fe New Mexico

Ghada Amer & Reza Farkhondeh met at the Villa Arson in France while earning their MFAs in painting and film. After a period of crippling depression, Farkhondeh moved into Amer’s studio in 2000 for emotional support. While alone in the studio, Farkhondeh began to “improve” Amer’s works in progress. She was surprised by Farkhondeh’s contributions, and invited him to continue to participate in her work. They chose RFGA—their initials combined—as an artistic moniker, and embarked on an eighteen year collaboration.

The artists maintain their practice in separate locations, passing works back and forth. Farkhondeh adds forms atop Amer’s sensual portraits of women, creating bold collisions of imagery that the artists describe as “a mutant riddle…a type of creation that resists control.” For Wonder Women and Kiss Cross are two of those riddles. Both are lithographs with hand-sewn elements, created by the artists in 2006.

Above: Reza Farkhondeh and Ghada Amer in their studio. Photo by Barbara Fässler.

Ghada Amer & Reza Farkhondeh- Works on Paper- Zane Bennett Contemporary Art- Santa Fe New Mexico

Ghada Amer & Reza Farkhondeh
Kiss Cross
lithograph with hand-sewn elements
24 x 30 in
2006

Ghada Amer & Reza Farkhondeh- Works on Paper- Zane Bennett Contemporary Art- Santa Fe New Mexico

Ghada Amer & Reza Farkhondeh
For Wonder Woman
lithograph with hand-sewn elements
20 x 30 in
2006

Click here to browse the complete Zane Bennett Contemporary Art collection.

The Epic Endeavor: Frank Stella’s Waves Series

Frank Stella- Waves Series- Moby-Dick- Zane Bennett Contemporary Art- Santa Fe New Mexico
Frank Stella by Christopher Felver, silver gelatin print

In 1986, Frank Stella embarked on an epic endeavor: adapting Herman Melville’s classic novel Moby-Dick into a body of work. He spent twelve years capturing the essence of the novel, resulting in four series with over 200 artworks that correspond with every twist and turn of the plot. The first series, The Waves, comprises thirteen vibrant, mixed-media prints that detail Captain Ahab’s obsessive quest. Behold four vibrant prints from the series, available individually or as a set. Each print is named for a chapter from the book, so we’ve provided chapter synopses below.

Frank Stella - The Waves Series - Ahab - Moby Dick - The Whale - Zane Bennett Gallery - Santa Fe

In Ahab, abstracted whale tails and a blood-red background
mark Ishmael’s first sighting of the doomed captain. 

Frank Stella
Ahab
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella - Hark! - The Waves Series - Moby Dick - Zane Bennett Gallery - Santa Fe

Hark! captures the quiet reverence the seamen have for
their captain—and the sounds of a calm ocean. 

Frank Stella
Hark!
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella - The Wave Series - A Squeeze of the Hand - Moby Dick - The Whale - Zane Bennett - Santa FeA Squeeze of the Hand offers a tour through the Pequod’s
“blubber-room,” hence the exuberant mish-mash of colors and forms.

Frank Stella
A Squeeze of the Hand
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella - The Pacific - The Wave Series - Moby Dick - Zane Bennett Gallery - Santa FeThe Pacific, with its fragmented vision of the titular whale
tinged in red, charts the Pequod’s passage into tumultuous waters.

Frank Stella
The Pacific
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Lesley Dill: Emotive Effects

lesley dill, lesley dill artist, woman with hindi healing dress, zanebennett gallery, zane bennett, zane bennett contemporary art, santa fe contemporary art, zane bennett gallery

“Meaning is in us already, waiting to wake up,” said Lesley Dill (b. 1950). “I feel grateful for waking up through words.” The New York artist works in a wide variety of media—sculpture, performance, printmaking, drawing, and photography—but each work explores the power of language. In Dill’s 2005 lithograph collage, Woman With Hindi Healing Dress, a figure wears a swirling skirt covered in cascading Hindi text. Even if you can’t read the language, the threaded compositional elements and serene palette communicate everything you need to know. This is an artwork imbued with the spirit of a healer.

Lesley Dill
Woman With Hindi Healing Dress
lithograph, collage, plexi box
14.75 x 10.62 x 2.25 in
2005

 

Ellsworth Kelly: Shape & Color

Ellsworth Kelly- Works on Paper- Zane Bennett Contemporary Art- Santa Fe New Mexico
“Shape and color are my two strong things,” said Ellsworth Kelly (1923-2015). The New York artist’s position on his own work was as simple as that, but his influence on 20th century art was considerably more complex. Kelly was a key player in the evolution of hard-edge painting, Color Field painting, minimalism, and Pop Art, though he never willingly assumed the mantle of a particular movement. Quietly and diligently, he observed the built environment around him and captured his shifting perceptions on canvas and paper.

Kelly’s lithograph Blue and Orange and Green is poetic in its simplicity, a visual haiku consisting of three echoed forms in bright hues. “I wanted to give people joy,” Kelly said. His print, which is new to the Zane Bennett Contemporary Art Collection, is sure to brighten your day—and perhaps your living room.

Above: Ellsworth Kelly, Phaidon.

Ellsworth Kelly- Blue and Orange and Green- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Ellsworth Kelly
Blue and Orange and Green
lithograph
25 x 13.75 in.

Click here to browse the complete Zane Bennett Contemporary Art collection.

Sam Francis: Power & Containment

Sam Francis Artwork- Zane Bennett Contemporary Art- Santa Fe New Mexico

“Painting is about the beauty of space and the power of containment,” said Sam Francis (1923-1994). The abstract expressionist master is best known for paintings that show multicolored abstract splatters between luminous fields of white. “Containment” isn’t the first word you might use to describe these exuberant artworks that are devoid of hard edges. However, much like Jackson Pollock, Francis was actually exercising precise control in the creation of his work. Though Francis’s bright pigments are focal points, he knew that negative space was his most important compositional tool. These new prints in the Zane Bennett Contemporary collection are dazzling examples of his signature aesthetic.

Image: Sam Francis.

Sam Francis- Chinese Wall CTP- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Chinese Wall (CTP), 1969,
lithograph, 30.12 x 22.5 in.

Sam Francis- Untitled SF 236- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Untitled (SF 236)1978
lithograph, 38.25 x 28 in.

Sam Francis- Untitled SF 78- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Untitled (SF 78)1964
lithograph, 15.5 x 22.75 in.

Sam Francis- Untitled SF 319- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Untitled (SF 319)1964
lithograph, 15.5 x 22.75 in.

Sam Francis- Untitled AP- Aquatint and Drypoint- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Untitled AP1982
aquatint and drypoint, 29.87 x 23.87 in.

Sam Francis- Pasadena Box- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis,
III, from the Pasadena Box, Variant II, 1963,
lithograph, 15 x 11.25 in.

Click here to browse the complete Zane Bennett Contemporary Art collection.

Guy Dill Paints in the Air.

Guy Dill Sculpture outside of Zane Bennett Contemporary Art- Santa Fe New Mexico

Guy Dill (b. 1946) doesn’t make preparatory sketches for his sculptures. He paints or prints abstract imagery, and then captures the flowing motion of the pigment in three dimensions. “I knew I had to discuss painting in a sculptural way,” the California artist explains. He started his art career in New York City—Donald Judd was an early benefactor—but settled in Los Angeles in the 1970’s. “New York is about New York, and LA is about the world,” he quips.

From his West Coast home, Dill has indeed conquered the globe with his monumental sculptures in bronze, aluminum and marble. He’s mounted over 50 one-man exhibitions, and appears in the permanent collections of the Solomon R. Guggenheim Museum, the Museum of Modern Art, and the Stedelijk Museum. Dill’s artworks in the Zane Bennett Contemporary collection exemplify the complete span of his process, from his initial explorations in two dimensions to a sculptural expression that towers above the viewer.

Guy Dill Sculpture- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Boon, bronze, 120 x 70 x 60 in., 2008
Guy Dill- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Untitled RTP, lithograph, 26 x 34 in, 2009
Guy Dill- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Untitled RTP, lithograph, 26 x 26 in., 2009
Guy Dill- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Untitled RTP, lithograph, 26 x 34 in., 2009

Click here to browse the complete Zane Bennett Contemporary collection.

Call Me Stella.

Frank Stella Portrait- Christopher Felver- Photography
Image: Frank Stella by Christopher Felver, silver gelatin print

The first thing you need to know about Frank Stella‘s (b.1936) Waves series is that the vibrant, mixed-media prints are monumental. Each of them measures at least 6 feet high and over 4 feet wide. The American artist employed a trifecta of printmaking techniques to create them: serigraphy, lithography and linocut. The prints are hand-colored and collaged, ensuring that each one is unique.

Stella created these marvels of post-painterly abstraction over a 12-year period, between 1985 and 1997. His epic endeavor seems quite fitting if you consider his source of inspiration. The Waves series is a tribute to Herman Melville’s seminal Great American Novel Moby-Dick. Stella imagines himself as a stowaway on the whaler ship Pequod, joining the narrator Ishmael to chronicle Captain Ahab’s tumultuous quest for revenge against the elusive white whale Moby Dick. Each print is an abstract summary for one of the book’s 135 chapters—an elemental, topsy turvy impression of life at sea. To hear Stella speak about the series, check out this excerpt from Studio 360’s Modern Icons podcast about Moby-Dick.

Stella was also influenced by abstract expressionism for this series. “This is paying my debt, or not so much paying my debt as expressing my admiration for the abstract generation I grew up with and that I admired the most,” he said of Waves.

Works from the Waves series have passed through the Zane Bennett Contemporary collection before, but this release is truly remarkable. We acquired the mint condition prints from a private collection—including several images that we’ve never had before. They all hail from the same pull, and are a low edition number. We’re offering special pricing and right of first refusal to collectors who are interested in purchasing all six as a set, so make sure to contact us quickly if you’d like to own a piece of artistic—and literary—history.

Frank Stella- The Great Heidelburgh Tun- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
The Great Heidelburgh Tun
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- The Pacific- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
The Pacific
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- Squid- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
Squid
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- Ahab- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
Ahab
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- Hark- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
Hark!
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- A Squeeze of the Hand- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
A Squeeze of the Hand
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Click here to browse the complete Zane Bennett Contemporary Art collection.

Special Offers: Pop Art

Jim Dine- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico
Jim Dine, The Astra Tool AP, lithograph, 1985, 23.63 x 19.75 in.

Add a piece of art history to your walls this winter! There’s a new Special Offerssection on the Zane Bennett Contemporary Art website, featuring exceptional pricing on works by legendary artists. Scroll down to view prints by Pop Art icons and Pop-inspired artists from the new collection, and make sure to bookmark the Special Offers page for future additions.

Jim Dine
Black Ink Robe
lithograph
25.5 x 19.5 in.
year: 2005

Olivier Mosset
Yellow Star
serigraph
27.5 x 27.5 in.
year: 1998

Olivier Mosset
Number 9
serigraph on aluminum
10.62 x 7.87 in.
year: 2006

Donald Sultan
Black Flowers October 15
lithograph
29.87 x 22 in.
year: 1996

Mimmo Paladino
Atlantico II ( Figure Kneeling with Ladder & Chest of Drawers)
linoleum block print
74.25 x 23 in.
year: 1987

Click here to browse more artwork on our Special Offers page.

Ellsworth Kelly in Blue.

Ellsworth Kelly Portrait- Zane Bennett Contemporary Art- Santa Fe New Mexico
“I think that if you can turn off the mind and look only with the eyesultimately everything becomes abstract,” said Ellsworth Kelly (1923 – 2015). Kelly’s abstraction is rooted in the real world. His strong sense of form and color has often been tied to his time in the military, affinity for bird watching, and observations of nature. Although simplistic in imagery, Kelly’s work holds a certain tension. “I think what we all want from art is a sense of fixity, a sense of opposing the chaos of daily living,” said Kelly. “This an illusion, of course. Canvas rots. Paint changes color. In a sense, what I’ve tried to capture is the reality of flux, to keep art an open, incomplete situation, to get at the rapture ofseeing.”

Kelly was a pioneer of Color Field painting and minimalism whose influence extends across the second half the 20th century to the present.This is exemplified by the story behind Kelly’s Untitled (1983), a hand-signed lithograph that was included in the Eight by Eight to Celebrate the Temporary Contemporary suite. The portfolio features artwork by eight prominent artists, and was used as a fundraising vehicle for the Museum of Contemporary Art (MOCA) in Los Angeles. The artists who participated were Kelly, Richard Diebenkorn, Sam Francis, David Hockney, Robert Rauschenberg, Niki de Saint Phalle, Jean Tinguely, and Andy Warhol. This iconic collection is a testament to the cultural milieu of the United States in the 1980’s. This is a rare opportunity to own a piece of this illustrious history.

Photo Credit: Fred R. Conrad/The New York Times
Ellsworth Kelly- Color Lithograph- Eight by Eight- Zane Bennett Contemporary Art- Santa Fe New Mexico

Ellsworth Kelly
Untitled (Eight by Eight to Celebrate the Temporary Contemporary)
color lithograph
29 x 41 in.
year: 1983

Click here to browse the complete Zane Bennett Contemporary Art collection.

Unwrap a Christo.

Christo Artwork- Zane Bennett Contemporary Art- Santa Fe New Mexico

“All our projects are like fabulous expeditions,” said Christo (b.1935). “The story of each project is unique. Our projects have no precedent.” It’s a bold statement to make, but hard to deny when you look at the staggering output of Christo and his late, great partner Jeanne-Claude (1935-2009). Starting in the early 1960’s, they set out to wrap the world in flowing cloth. They’ve managed to cover quite a lot of ground since then, from Central Park to the Reichstag. Three new prints in our collection depict wrapped objects that are not monumental in size—but just as culturally significant. Wrapped Telephone shows an L.M. Ericsson design that’s iconic of early 20th century communication. Wrapped Motorcycle/Sidecar and Wrapped Automobile capture two symbols of freewheeling American innnovation. Both of the new prints come with complimentary gifts, pictured below. It’s a unique opportunity to “unwrap” a Christo this holiday season.

Image: Copyright 1963 Christo.

Christo Lithograph- Wrapped Ericsson Model Telephone- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo
Wrapped Telephon, Project for L.M. Ericsson Model
color lithograph with mixed-media collage
28 x 22 in.
year: 1985

This piece comes with a complimentary
L.M. Ericsson Model telephone, pictured below. 

                                               Christo- Wrapped Telephone- Zane Bennett Contemporary Art- Santa Fe New MexicoChristo- Wrapped Telephone- Zane Bennett Contemporary Art- Santa Fe New Mexico

 

Christo Lithograph- Wrapped Harley-Davidson Motorcycle and Sidecar- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo
Wrapped Motorcycle/Sidecar (Project for Harley-Davidson 1933 VL Model)
color lithograph with mixed-media collage
19.626 x 21.875 in.
year: 1997

This piece comes with a complimentary toy
Harley-Davidson 1933 VL Model with sidecar, pictured below.

                                               Christo- Wrapped Motorcycle- Zane Bennett Contemporary Art- Santa Fe New Mexico Christo- Wrapped Motorcycle- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo Lithograph- Wrapped Blue Studebaker Car- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo
Wrapped Automobile
(Project for 1950 Studebaker Champion, Series 9 G Coupe)

lithograph with mixed-media collage
17 x 21 in.
year: 2015

This piece comes with a complimentary die-cast
Champion Blue Studebaker, pictured below.

Christo- Wrapped Studebaker Automobile- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo Lithograph- Wrapped Statues- The Glyptothek- Munich Germany- Zane Bennett Contemporary Art

Christo
Wrapped Statues, the Glyptothek, Munich
serigraph and photo collage
35 x 27 inches
year: 1988

Click here to browse the complete Zane Bennett Contemporary Art collection.

Black Friday at Zane Bennett.

Shop Small at Zane Bennett Contemporary Art- Santa Fe New Mexico

Starting Black Friday (Nov. 24) and extending through Cyber Monday (Nov. 26), enjoy a 10% discount on any acquisition from Zane Bennett Contemporary Art. Scroll down to see our latest offerings, and browse the complete collection on our website.

Robert Motherwell Collage- Zane Bennett Contemporary Art- Santa Fe New Mexico

Robert Motherwell
America — La France Variations VI
lithograph and collage
46.5 x 32.125 in.
year: 1983-4

Helen Frankenthaler Screenprint- Zane Bennett Contemporary Art- Santa Fe New Mexico

Helen Frankenthaler
Solar Imp.
color screenprint
39.375 x 29.875 in.
year: 2001

Ellsworth Kelly Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Ellsworth Kelly
Untitled (Eight by Eight to Celebrate the Temporary Contemporary)
color lithograph
29 x 41 in.
year: 1983

Christo Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo
Wrapped Telephone, Project for L.M. Ericsson Model
color lithograph with mixed-media collage
28 x 22 in.
year: 1985

Christo
Wrapped Motorcycle/Sidecar (Project for Harley-Davidson 1933 VL Model)
color lithograph with mixed-media collage
19.626 x 21.875 in.
year: 1997

Francis Bacon
Lithograph for the Metropolitan Museum of Art
color lithograph poster
44.875 x 33.625 in.
year: 1975

Click here to browse the complete Zane Bennett Contemporary collection.

Sam Francis in Winter.

Sam Francis- Artist Portrait- Photo by Meibao D. Nee.- Zane Bennett Contemporary Art

“Ideas hang around images like shadows,” said Sam Francis (1923-1994). “The space at the center of these paintings is reserved for you.”  The quote seems particularly apt when it comes to the abstract expressionist’s aquatint “The Five Continents in Wintertime.” Francis employs his idiosyncratic drips and splatters, but pulls back his typically vibrant palette to reflect the purple, blue and brown tones of bare branches set against winter skies. Between these cool winter “shadows,” a field of snowy white paper shows through.

Francis was born in San Mateo, California. He was initially influenced by the work of abstract expressionists such as Mark Rothko, Arshile Gorky and Clyfford Still. While living in Paris in the 1950’s, he became associated with Tachisme. Tachisme was a reaction to cubism and is characterized by spontaneous brushwork, drips and blobs of paint straight from the tube, and sometimes scribbling reminiscent of calligraphy. Francis spent his time in Paris executing entirely monochromatic works, but his mature pieces are generally large oil paintings with splashed or splattered areas of bright contrasting color. Areas of white canvas are often left to show through, and in later works, paint is sometimes confined to the edges of the canvas. Scroll down to view “The Five Continents in Wintertime” and other works by Sam Francis.

Image: Meibao D. Nee.

Sam Francis- The Five Continents in Wintertime- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
The Five Continents in Wintertime
aquatint, 23.75in x 48.75in
1984

Sam Francis- Color Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Untitled
color lithograph, 30 x 20 in.
1968

Sam Francis
Untitled #5, from Pasadena Box
lithograph, 11 x 15 in.
1963

Click here to browse the complete Zane Bennett Contemporary collection.

Robert Rauschenberg, Rule Breaker.

Robert Rauschenberg- Cock Sure Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Robert Rauschenberg, Cock Sure, silkscreen, hot wax, silver pigment dust and acrylic on cardboard and glass, 60 x 40 in, 1993.

Robert Rauschenberg (1925-2008) is having a moment—though you could argue that the postmodern provocateur has been en mode since the midcentury. In any case, the Museum of Modern Art’s blockbuster survey show Robert Rauschenberg: Among Friends recently closed in New York, and SFMOMA’s manifestation of the exhibition opens in late November. The new show is titled Robert Rauschenberg: Erasing the Rules, a reference to the artist’s legendary erasure of a Willem De Kooning drawing in the name of art. It was a seminal moment in his early career, but hardly characteristic of the work he would produce in the following decades.

Rauschenberg was a master of addition rather than subtraction, fearlessly layering a vast arsenal of bizarre materials to create sculptural paintings, painted sculptures and three-dimensional drawings that he referred to as “Combines.” Cock Sure, a mixed-media print that he produced with Pace in the 1990’s, represents a late chapter of his persistent experimentation. “Cock Sure is an extension of his curiosity, applying paint directly onto the glass surface, increasing the depth of the work so that it became three-dimensional,” wrote Art Daily. “The work is characteristically by Rauschenberg as seen through the inclusion of everyday images: an open sign, chickens, a windmill, and a dog resting by a brick wall.” Scroll down to view more works by Rauschenberg in the Zane Bennett Contemporary collection.

Robert Rauschenberg- Arcanum VIII Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Robert Rauschenberg
Arcanum VIII
lithograph
22.5 x 15.5 in
1981

Robert Rauschenberg- Arcanum V Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Robert Rauschenberg
Arcanum V
color silkscreen with hand-coloring and collage on paper
22.5 x 15.5 in
1981

Robert Rauschenberg- Soviet/American Array II Intaglio- Zane Bennett Contemporary Art- Santa Fe New Mexico

Robert Rauschenberg
Soviet / American Array II
intaglio in 14 colors
87.5 x 52.25 in
1990

Click here to view all of our artwork by Robert Rauschenberg.

 

Ed Ruscha’s Hourglass.

Ed Ruscha Artwork- Zane Bennett Contemporary- Fine Art Prints
Ed Ruscha, Relos Arena (HC), 1988, lithograph, 30 x 22 in

Despite being credited with a Pop sensibility, Ed Ruscha (b. 1937) defies categorization with his diverse output of photographic books and tongue-in-cheek photo-collages, paintings, and drawings. Ruscha’s work is inspired by the ironies and idiosyncrasies of life in Los Angeles, which he often conveys by placing glib words and colloquial phrases atop photographic images or fields of color. Known for painting and drawing with unusual materials such as gunpowder, blood, and Pepto Bismol, Ruscha draws attention to the deterioration of language and pervasive clichés in pop culture.

Ruscha’s lithograph Relos Arena is new to the Zane Bennett Contemporary collection. The artist’s bold style and idiosyncratic splatter effects are on dynamic display in the piece, but it also possesses an elegance and subtlety that echoes its subject matter. Scroll down to view detail images of this work, and click here to inquire now.

Ed Ruscha- Hourglass Print- Detail- Zane Bennett Contemporary Art

Ed Ruscha- Hourglass Print- Detail- Zane Bennett Contemporary Art

Ed Ruscha- Hourglass Print- Detail- Zane Bennett Contemporary Art