By popular demand, we’ve refreshed our collection of Flower aquatints by Donald Sultan (b. 1951). The painter and printmaker emerged as a master of the New Image movement in the 1970’s, producing elegant, minimalist imagery with industrial materials that were decidedly postminimalist. Abstracted blooms are a recurring motif in his work. The new aquatints in our collection offer prime examples of Sultan’s style, characterized by stark, black forms amid vibrant fields of color.
Scroll down to view four new Sultan aquatints in the Zane Bennett Contemporary collection, and click here to browse all available works.
Flower (Green, Red, Black & Blue)
aquatint, 31.50 x 27.87 in (each print)
“My whole area of art has always been addressed to working with other people,” said Robert Rauschenberg (1925-2008). “Ideas are not real estate.” It’s this collaborative philosophy that inspired MoMA’s Robert Rauschenberg: Among Friends, the first retrospective of the American artist’s work in the 21st century. The museum calls the show an “open monograph,” with Rauschenberg’s work appearing alongside the art of his contemporaries. It’s a labyrinthine flow chart of ideas, which is also an apt way to describe his prints.
Just as Rauschenberg incorporated everyday objects into his iconic assemblages, he brought quotidian imagery crashing together through printmaking. He often incorporated his own photographs and found images, electrifying them with colorful, exuberant marks. In Rauschenberg’s prints, we sense his dual role as a disruptor of Abstract Expressionism and a progenitor of Pop Art. We’ve added two new prints by Rauschenberg to the Zane Bennett Contemporary collection. Scroll down to view Earth Day and Arcanum V, and click here to browse all of our artwork by Rauschenberg.
Arcanum V (from Arcanum Series), 1981
Color silkscreen with hand-coloring and collage on paper
Published and printed by Styria Studio, New York
#12 of 85
Signed and dated with edition in graphite lower right sheet; Styria
Studio blind stamp lower right sheet
Image/sheet: 22.5″ x 15.5″; Frame: 31.25″ x 24.25″
Earth Day, 1990
Color silkscreen and color pochoir on wove paper pencil
sheet: 64.25″ h x 42.75″ w overall (with frame): 68.25″ h x 46.5″ w
Rauschenberg was an avid environmental activist. In 1970, he created a print for the inaugural Earth Day. Twenty years later, he observed Earth Day 1990—which vaulted the celebration onto the world stage, with over 200 million participants—by creating this color silkscreen.
Antonio Seguí (b. 1934) is a painter and printmaker whose vivid, often satirical figurative works focus on the people and vistas of modern urban life. He’s inspired by comic strip characters, texts, arrows and various signs, juxtaposed onto the figures that resemble comic strip-style language. Born and raised in Cordoba, Argentina, Seguí has maintained a serious art practice since he was a teenager. His early work was influenced by the Cubists, Fernand Léger and Diego Rivera.
In 1957, Seguí had his first solo exhibition in Cordoba at the age of 23. He moved to Mexico the following year, where he studied printmaking. After a brief return to Argentina, he moved to Paris in 1963, where he lives and works today. He has exhibited at galleries and institutions throughout the world. In 2005, his work was the subject of a retrospective at the Musée National d’Art Moderne, Centre Georges Pompidou, in Paris. Scroll down to see works by Seguí from the Zane Bennett Contemporary collection, and click here to learn more on our website.
Las Cuates Esquinas
25.50 x 23.63 in
15.81 x 22.93 in
22.37 x 19.18 in
15.81 x 22.93 in
“Painting is about the beauty of space and the power of containment,” said Sam Francis (1923-1994). The artist is best known for abstract, mural-sized canvases on which thin washes, drips and splatters of primary colors float within vast areas of white space—a format emphasized in his iconic series of “Edge Paintings.” The monumentality of his paintings places them within the tradition of Abstract Expressionist pictures, which fill the viewer’s field of vision with a direct experience of color and movement.
Francis’ 1970’s color lithograph Cut Throat is the newest addition to the Zane Bennett Contemporary collection. Look below to learn more, and click here to browse more work by Sam Francis in the Zane Bennett Contemporary collection.
Cut Throat AP V
45.25 x 31.25 in