Fresh Blooms from Donald Sultan

Donald Sultan- Hamptons Magazine- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan (b. 1951) emerged as a master of the New Image movement in the 1970’s, producing elegant, minimalist imagery using industrial materials that were decidedly postminimal. Abstracted blooms are an iconic motif in his work. The new screen print in our collection offers a prime example of Sultan’s style, characterized by stark, black forms amid vibrant fields of color. In the print, tar and flocking enhance the dark fields, transforming them into infinite chasms with powerful visual gravity.

Scroll down to view our new Sultan screen print—along with a full bouquet of the artist’s flower compositions—in the Zane Bennett Contemporary collection, and click here to browse all available works.

Image: David A. Land, Hamptons Magazine.

Donald Sultan- Flower Screen Print- Red and Black- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan
Red Poppies, July 24, 2012
screen print with tar and flocking
year: 2012

Donald Sultan- Flower Aquatint- Green- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan- Flower Aquatint- Red- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan- Flower Aquatint- Black- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan- Flower Aquatint- Blue- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan
Trumpet (Green, Red, Black & Blue) 
aquatint, 31.50 x 27.87 in (each print)

Donald Sultan- Black Flower Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan
Black Flowers September 12
lithograph, 29.87 x 22 in.

Click here to view the complete Zane Bennett Contemporary Art collection.

Unwrap a Christo.

Christo Artwork- Zane Bennett Contemporary Art- Santa Fe New Mexico

“All our projects are like fabulous expeditions,” said Christo (b.1935). “The story of each project is unique. Our projects have no precedent.” It’s a bold statement to make, but hard to deny when you look at the staggering output of Christo and his late, great partner Jeanne-Claude (1935-2009). Starting in the early 1960’s, they set out to wrap the world in flowing cloth. They’ve managed to cover quite a lot of ground since then, from Central Park to the Reichstag. Three new prints in our collection depict wrapped objects that are not monumental in size—but just as culturally significant. Wrapped Telephone shows an L.M. Ericsson design that’s iconic of early 20th century communication. Wrapped Motorcycle/Sidecar and Wrapped Automobile capture two symbols of freewheeling American innnovation. Both of the new prints come with complimentary gifts, pictured below. It’s a unique opportunity to “unwrap” a Christo this holiday season.

Image: Copyright 1963 Christo.

Christo Lithograph- Wrapped Ericsson Model Telephone- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo
Wrapped Telephon, Project for L.M. Ericsson Model
color lithograph with mixed-media collage
28 x 22 in.
year: 1985

This piece comes with a complimentary
L.M. Ericsson Model telephone, pictured below. 

                                               Christo- Wrapped Telephone- Zane Bennett Contemporary Art- Santa Fe New MexicoChristo- Wrapped Telephone- Zane Bennett Contemporary Art- Santa Fe New Mexico

 

Christo Lithograph- Wrapped Harley-Davidson Motorcycle and Sidecar- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo
Wrapped Motorcycle/Sidecar (Project for Harley-Davidson 1933 VL Model)
color lithograph with mixed-media collage
19.626 x 21.875 in.
year: 1997

This piece comes with a complimentary toy
Harley-Davidson 1933 VL Model with sidecar, pictured below.

                                               Christo- Wrapped Motorcycle- Zane Bennett Contemporary Art- Santa Fe New Mexico Christo- Wrapped Motorcycle- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo Lithograph- Wrapped Blue Studebaker Car- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo
Wrapped Automobile
(Project for 1950 Studebaker Champion, Series 9 G Coupe)

lithograph with mixed-media collage
17 x 21 in.
year: 2015

This piece comes with a complimentary die-cast
Champion Blue Studebaker, pictured below.

Christo- Wrapped Studebaker Automobile- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo Lithograph- Wrapped Statues- The Glyptothek- Munich Germany- Zane Bennett Contemporary Art

Christo
Wrapped Statues, the Glyptothek, Munich
serigraph and photo collage
35 x 27 inches
year: 1988

Click here to browse the complete Zane Bennett Contemporary Art collection.

Black Friday at Zane Bennett.

Shop Small at Zane Bennett Contemporary Art- Santa Fe New Mexico

Starting Black Friday (Nov. 24) and extending through Cyber Monday (Nov. 26), enjoy a 10% discount on any acquisition from Zane Bennett Contemporary Art. Scroll down to see our latest offerings, and browse the complete collection on our website.

Robert Motherwell Collage- Zane Bennett Contemporary Art- Santa Fe New Mexico

Robert Motherwell
America — La France Variations VI
lithograph and collage
46.5 x 32.125 in.
year: 1983-4

Helen Frankenthaler Screenprint- Zane Bennett Contemporary Art- Santa Fe New Mexico

Helen Frankenthaler
Solar Imp.
color screenprint
39.375 x 29.875 in.
year: 2001

Ellsworth Kelly Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Ellsworth Kelly
Untitled (Eight by Eight to Celebrate the Temporary Contemporary)
color lithograph
29 x 41 in.
year: 1983

Christo Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Christo
Wrapped Telephone, Project for L.M. Ericsson Model
color lithograph with mixed-media collage
28 x 22 in.
year: 1985

Christo
Wrapped Motorcycle/Sidecar (Project for Harley-Davidson 1933 VL Model)
color lithograph with mixed-media collage
19.626 x 21.875 in.
year: 1997

Francis Bacon
Lithograph for the Metropolitan Museum of Art
color lithograph poster
44.875 x 33.625 in.
year: 1975

Click here to browse the complete Zane Bennett Contemporary collection.

Sol LeWitt’s Emblemata Series.

Sol LeWitt (1928-2007) is regarded as a founder of both Minimal and Conceptual art. His prolific two and three-dimensional oeuvre includes wall drawings (over 1200 of which have been executed), hundreds of works on paper, and structures in the form of towers, pyramids, geometric forms, and progressions. He’s also known for his postcard correspondence with famous contemporaries such as Eva Hesse and On Kawara.

For his Emblemata series of monotypes from 2000, LeWitt experimented with yet another medium: the book. Maurizio Londei of the Italian imprint Edizioni Essegi challenged LeWitt and other artistic titans, such as Richard Long and Pier Paolo Calzolari, to “transpose their emblematic essence” into print portfolios. The idea was for the artist to create an “ideal volume” that could serve as a direct conduit between artist and viewer, passing vital knowledge between them. LeWitt responded to this challenge with a series of 15 monotypes bearing his idiosyncratic two-toned palette and iconic, exuberant squiggle forms. The series doesn’t incorporate words nor is it bound, but it’s nonetheless successful as a late-career “text” bearing all the wisdom of LeWitt’s long and illustrious career. Scroll down to view prints from the series, and click here to browse all of the images. The Emblemata series is exclusively available as a complete set.

Sol LeWitt- Emblemata Print Series- Monotypes- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sol LeWitt
Emblemata
monotype, 11.25 x 22.37 in
2000

Sol LeWitt- Emblemata Print Series- Monotypes- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sol LeWitt- Emblemata Print Series- Monotypes- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sol LeWitt- Emblemata Print Series- Monotypes- Zane Bennett Contemporary Art- Santa Fe New Mexico

Robert Indiana’s American Dream.

Robert Indiana- American Dream Series- Serigraph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Robert Indiana
Tilt from The American Dream
serigraph, 1997, 16.63 x 13 in

You might say that Pop artist Robert Indiana (b. 1928) lived the American Dream. Throughout the artist’s early childhood in Indiana, his family lived in poverty. They moved 21 times before Indiana turned 17, and his mother worked as a waitress in greasy spoon diners to make ends meet. Flash forward to the late 1950’s, and Indiana was a 20-something living in New York City and cavorting with the likes of Andy Warhol and Wynn Chamberlain. His hard-edged oil compositions bearing bright colors, provocative phrases and culturally significant numbers had caught the eye of the contemporary art world. In 1965, Indiana designed a Christmas card for MoMA featuring scarlet, stacked letters that spelled out “LOVE.” It would become his most iconic image, landing on a USPS postage stamp in 1973.

A few years before he created the LOVE image, Indiana looked back on his path to success with the first painting in his American Dream series. The same composition appears in Indiana’s 1997 serigraph Tilt from The American Dream, which is new to the Zane Bennett Contemporary collection. In the image, highly personal symbolism mingles with universal markers of Americanism.

The circles and stars that appear throughout the piece riff on advertising aesthetics of the period. In the black and yellow circle at top left, the numbers reference highways he roamed as a young man (including Route 66). The phrases “TAKE ALL” and “THE AMERICAN DREAM” represent an industrious but viciously competitive national ethos. In the bottom left circle, the word “TILT” evokes the pinball machines that Indiana encountered in the diners where his mother worked, and later in dive bars that he frequented. When paired with the other words in the tableau, “TILT” throws the egalitarian premise of The American Dream into question. This was the first of nine images in the American Dream series, created between 1961 and 2001. Tilt from the American Dream represents of Indiana’s epic, career-spanning exploration of the promises and pitfalls of American idealism.

Click here to learn more about Indiana’s print.

Halloween Art.

Mimmo Paladino- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Mimmo Paladino, Atlantico VI (Skeleton)linoleum block print, 74.25 x 23 in., 1987

Halloween is upon us, so we conjured a batch of spooky art from the Zane Bennett Contemporary collection. Behold Jim Dine’s raven à la Edgar Allan Poe, a spider web by Vija Celmins, a marionette masquerading as Frida Kahlo by Armond Lara, and other dark, mysterious creations. Trick or treat!

James Drake Prints- Zane Bennett Contemporary Art- Santa Fe New Mexico

James Drake
Salon of a Thousand Souls
lithograph
57 x 43 in.
1996

Armond Lara Sculpture- Zane Bennett Contemporary Art- Santa Fe New Mexico

Armond Lara
Marionette “As Frida”
wood and mixed media
36 x 15.50 x 16 in.

Manuel Amorim- Woodcut- Zane Bennett Contemporary Art- Santa Fe New Mexico

Manuel Amorim
Metamorphose
woodcut
17.75 x 11.75 in.

Vija Celmins- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Vija Celmins
Spider Web
serigraph
10.88 x 13 in.
2009

Jim Dine- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Jim Dine
Sun’s Night Glow
lithograph
35.5 x 51.5 in.
2000

Juan Jose Molina- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Juan Jose Molina
Untitled
lithograph
34 x 24.25 in.
1998

Click here to browse the complete Zane Bennett Contemporary collection.

Ed Ruscha’s Hourglass.

Ed Ruscha Artwork- Zane Bennett Contemporary- Fine Art Prints
Ed Ruscha, Relos Arena (HC), 1988, lithograph, 30 x 22 in

Despite being credited with a Pop sensibility, Ed Ruscha (b. 1937) defies categorization with his diverse output of photographic books and tongue-in-cheek photo-collages, paintings, and drawings. Ruscha’s work is inspired by the ironies and idiosyncrasies of life in Los Angeles, which he often conveys by placing glib words and colloquial phrases atop photographic images or fields of color. Known for painting and drawing with unusual materials such as gunpowder, blood, and Pepto Bismol, Ruscha draws attention to the deterioration of language and pervasive clichés in pop culture.

Ruscha’s lithograph Relos Arena is new to the Zane Bennett Contemporary collection. The artist’s bold style and idiosyncratic splatter effects are on dynamic display in the piece, but it also possesses an elegance and subtlety that echoes its subject matter. Scroll down to view detail images of this work, and click here to inquire now.

Ed Ruscha- Hourglass Print- Detail- Zane Bennett Contemporary Art

Ed Ruscha- Hourglass Print- Detail- Zane Bennett Contemporary Art

Ed Ruscha- Hourglass Print- Detail- Zane Bennett Contemporary Art

Donald Sultan’s Flowers.

By popular demand, we’ve refreshed our collection of Flower aquatints by Donald Sultan (b. 1951). The painter and printmaker emerged as a master of the New Image movement in the 1970’s, producing elegant, minimalist imagery with industrial materials that were decidedly postminimalist. Abstracted blooms are a recurring motif in his work. The new aquatints in our collection offer prime examples of Sultan’s style, characterized by stark, black forms amid vibrant fields of color.

Scroll down to view four new Sultan aquatints in the Zane Bennett Contemporary collection, and click here to browse all available works.

Donald Sultan
Flower (Green, Red, Black & Blue)
aquatint, 31.50 x 27.87 in (each print)




New Robert Rauschenberg Acquisitions.

“My whole area of art has always been addressed to working with other people,” said Robert Rauschenberg (1925-2008). “Ideas are not real estate.” It’s this collaborative philosophy that inspired MoMA’s Robert Rauschenberg: Among Friends, the first retrospective of the American artist’s work in the 21st century. The museum calls the show an “open monograph,” with Rauschenberg’s work appearing alongside the art of his contemporaries. It’s a labyrinthine flow chart of ideas, which is also an apt way to describe his prints.

Just as Rauschenberg incorporated everyday objects into his iconic assemblages, he brought quotidian imagery crashing together through printmaking. He often incorporated his own photographs and found images, electrifying them with colorful, exuberant marks. In Rauschenberg’s prints, we sense his dual role as a disruptor of Abstract Expressionism and a progenitor of Pop Art. We’ve added two new prints by Rauschenberg to the Zane Bennett Contemporary collection. Scroll down to view Earth Day and Arcanum V, and click here to browse all of our artwork by Rauschenberg.


Robert Rauschenberg
Arcanum V (from Arcanum Series), 1981
Color silkscreen with hand-coloring and collage on paper
Published and printed by Styria Studio, New York
#12 of 85
Signed and dated with edition in graphite lower right sheet; Styria
Studio blind stamp lower right sheet
Image/sheet: 22.5″ x 15.5″; Frame: 31.25″ x 24.25″

 


Robert Rauschenberg
Earth Day, 1990
Color silkscreen and color pochoir on wove paper pencil
sheet: 64.25″ h x 42.75″ w overall (with frame): 68.25″ h x 46.5″ w

Rauschenberg was an avid environmental activist. In 1970, he created a print for the inaugural Earth Day. Twenty years later, he observed Earth Day 1990—which vaulted the celebration onto the world stage, with over 200 million participants—by creating this color silkscreen.

Works by Antonio Segui.

Antonio Seguí (b. 1934) is a painter and printmaker whose vivid, often satirical figurative works focus on the people and vistas of modern urban life. He’s inspired by comic strip characters, texts, arrows and various signs, juxtaposed onto the figures that resemble comic strip-style language. Born and raised in Cordoba, Argentina, Seguí has maintained a serious art practice since he was a teenager. His early work was influenced by the Cubists, Fernand Léger and Diego Rivera.

In 1957, Seguí had his first solo exhibition in Cordoba at the age of 23. He moved to Mexico the following year, where he studied printmaking. After a brief return to Argentina, he moved to Paris in 1963, where he lives and works today. He has exhibited at galleries and institutions throughout the world. In 2005, his work was the subject of a retrospective at the Musée National d’Art Moderne, Centre Georges Pompidou, in Paris. Scroll down to see works by Seguí from the Zane Bennett Contemporary collection, and click here to learn more on our website.

Antonio Seguí
Las Cuates Esquinas
color lithograph
25.50 x 23.63 in

Antonio Seguí
Cache-Cache
color lithograph
15.81 x 22.93 in

Antonio Seguí
On Attend
color lithograph
22.37 x 19.18 in

Antonio Seguí
Cache-Cache
color lithograph
15.81 x 22.93 in

Sam Francis.

“Painting is about the beauty of space and the power of containment,” said Sam Francis (1923-1994). The artist is best known for abstract, mural-sized canvases on which thin washes, drips and splatters of primary colors float within vast areas of white space—a format emphasized in his iconic series of “Edge Paintings.” The monumentality of his paintings places them within the tradition of Abstract Expressionist pictures, which fill the viewer’s field of vision with a direct experience of color and movement.

Francis’ 1970’s color lithograph Cut Throat is the newest addition to the Zane Bennett Contemporary collection. Look below to learn more, and click here to browse more work by Sam Francis in the Zane Bennett Contemporary collection.

Sam Francis
Cut Throat AP V
Color Lithograph
45.25 x 31.25 in