Ellsworth Kelly in Blue.

Ellsworth Kelly Portrait- Zane Bennett Contemporary Art- Santa Fe New Mexico
“I think that if you can turn off the mind and look only with the eyesultimately everything becomes abstract,” said Ellsworth Kelly (1923 – 2015). Kelly’s abstraction is rooted in the real world. His strong sense of form and color has often been tied to his time in the military, affinity for bird watching, and observations of nature. Although simplistic in imagery, Kelly’s work holds a certain tension. “I think what we all want from art is a sense of fixity, a sense of opposing the chaos of daily living,” said Kelly. “This an illusion, of course. Canvas rots. Paint changes color. In a sense, what I’ve tried to capture is the reality of flux, to keep art an open, incomplete situation, to get at the rapture ofseeing.”

Kelly was a pioneer of Color Field painting and minimalism whose influence extends across the second half the 20th century to the present.This is exemplified by the story behind Kelly’s Untitled (1983), a hand-signed lithograph that was included in the Eight by Eight to Celebrate the Temporary Contemporary suite. The portfolio features artwork by eight prominent artists, and was used as a fundraising vehicle for the Museum of Contemporary Art (MOCA) in Los Angeles. The artists who participated were Kelly, Richard Diebenkorn, Sam Francis, David Hockney, Robert Rauschenberg, Niki de Saint Phalle, Jean Tinguely, and Andy Warhol. This iconic collection is a testament to the cultural milieu of the United States in the 1980’s. This is a rare opportunity to own a piece of this illustrious history.

Photo Credit: Fred R. Conrad/The New York Times
Ellsworth Kelly- Color Lithograph- Eight by Eight- Zane Bennett Contemporary Art- Santa Fe New Mexico

Ellsworth Kelly
Untitled (Eight by Eight to Celebrate the Temporary Contemporary)
color lithograph
29 x 41 in.
year: 1983

Click here to browse the complete Zane Bennett Contemporary Art collection.

Sam Francis in Winter.

Sam Francis- Artist Portrait- Photo by Meibao D. Nee.- Zane Bennett Contemporary Art

“Ideas hang around images like shadows,” said Sam Francis (1923-1994). “The space at the center of these paintings is reserved for you.”  The quote seems particularly apt when it comes to the abstract expressionist’s aquatint “The Five Continents in Wintertime.” Francis employs his idiosyncratic drips and splatters, but pulls back his typically vibrant palette to reflect the purple, blue and brown tones of bare branches set against winter skies. Between these cool winter “shadows,” a field of snowy white paper shows through.

Francis was born in San Mateo, California. He was initially influenced by the work of abstract expressionists such as Mark Rothko, Arshile Gorky and Clyfford Still. While living in Paris in the 1950’s, he became associated with Tachisme. Tachisme was a reaction to cubism and is characterized by spontaneous brushwork, drips and blobs of paint straight from the tube, and sometimes scribbling reminiscent of calligraphy. Francis spent his time in Paris executing entirely monochromatic works, but his mature pieces are generally large oil paintings with splashed or splattered areas of bright contrasting color. Areas of white canvas are often left to show through, and in later works, paint is sometimes confined to the edges of the canvas. Scroll down to view “The Five Continents in Wintertime” and other works by Sam Francis.

Image: Meibao D. Nee.

Sam Francis- The Five Continents in Wintertime- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
The Five Continents in Wintertime
aquatint, 23.75in x 48.75in
1984

Sam Francis- Color Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sam Francis
Untitled
color lithograph, 30 x 20 in.
1968

Sam Francis
Untitled #5, from Pasadena Box
lithograph, 11 x 15 in.
1963

Click here to browse the complete Zane Bennett Contemporary collection.

Sam Francis.

“Painting is about the beauty of space and the power of containment,” said Sam Francis (1923-1994). The artist is best known for abstract, mural-sized canvases on which thin washes, drips and splatters of primary colors float within vast areas of white space—a format emphasized in his iconic series of “Edge Paintings.” The monumentality of his paintings places them within the tradition of Abstract Expressionist pictures, which fill the viewer’s field of vision with a direct experience of color and movement.

Francis’ 1970’s color lithograph Cut Throat is the newest addition to the Zane Bennett Contemporary collection. Look below to learn more, and click here to browse more work by Sam Francis in the Zane Bennett Contemporary collection.

Sam Francis
Cut Throat AP V
Color Lithograph
45.25 x 31.25 in