Matthew Szösz and Michael Petry exhibit exquisite glass sculptures in our sister gallery, form & concept. Szösz recently debuted the solo exhibition Minimal Tension, featuring new works from his ongoing series Inflatables and Ropework. The artist calls some of his experiments “material/process investigations” and others “bad ideas.” Either way, the key is to set up novel conditions in the studio, shifting heat, humidity and other variables to see how the glass responds. It’s a winding process—part scientific, part artistic—that has yielded significant treasures
Works from Petry’s installation piece Joshua D’s Wall are currently on display at form & concept. Originally installed in the Palm Springs Art Museum, the work featured a field of 250 hand-blown glass stones that are scattered over the museum floor. Joshua D’s Wall alludes to the Biblical story of Joshua and the crumbling walls of Jericho. Resembling small boulders, these glass stones evoke the earth’s magma and the many colors found therein, as well as Petry’s own artistic impression of the natural environment. An installation view of these works appeared in the Wall Street Journal’s guide to Santa Fe this spring.
Guy Dill (b. 1946) doesn’t make preparatory sketches for his sculptures. He paints or prints abstract imagery, and then captures the flowing motion of the pigment in three dimensions. “I knew I had to discuss painting in a sculptural way,” the California artist explains. He started his art career in New York City—Donald Judd was an early benefactor—but settled in Los Angeles in the 1970’s. “New York is about New York, and LA is about the world,” he quips.
From his West Coast home, Dill has indeed conquered the globe with his monumental sculptures in bronze, aluminum and marble. He’s mounted over 50 one-man exhibitions, and appears in the permanent collections of the Solomon R. Guggenheim Museum, the Museum of Modern Art, and the Stedelijk Museum. Dill’s artworks in the Zane Bennett Contemporary collection exemplify the complete span of his process, from his initial explorations in two dimensions to a sculptural expression that towers above the viewer.
Click here to browse the complete Zane Bennett Contemporary collection.
“I work more like a sculptor and a painter put together,” says El Anatsui (b. 1944). The Ghanian artist’s fiery wall sculpture Paper and Gold is a vibrant testament to this process. The artwork is part of his critically acclaimed “bottle-top” series, assemblages made from thousands of aluminum pieces and stitched together with copper wire. The artist salvages these materials from recycling stations in his home of Nigeria, turning humble ephemera into flowing artworks that are often monumental in size. Click here to watch a video of the artist’s process on Art21, and scroll down to view the artwork.
El Anatsui, Paper and Gold,
pigment inkjet print with hand-cut edges,
printed and hand-sculpted aluminum collage and copper wire,
20 x 20 in.
Click here to browse the Zane Bennett Contemporary Art collection.