TASCHEN at Zane Bennett.

 

Murals of Tibet by TASCHEN at Zane Bennet Gallery
Murals of Tibet.

 

Lovers of beautiful books, rejoice! Zane Bennett Contemporary Art is now an official seller of TASCHEN Books, the revolutionary German imprint that deserves its own art museum. TASCHEN has collaborated with the likes of David HockneyChristo & Jeanne-Claude and Beatriz Milhazes to produce limited edition books that are true works of art. We’re particularly excited about their new title Murals of Tibet, an epic chronicle of some of the greatest treasures of Buddhist culture and Tibetan heritage.

For more than a decade, photographer Thomas Laird traveled the length, breadth, and far-flung corners of Tibet’s plateau to capture the land’s spectacular Buddhist murals. Deploying new multi-image digital photography, Laird compiled the world’s first archive of these artworks, some walls as wide as 10 meters, in life-size resolution. In recognition of this World Heritage landmark and preservation of Tibetan culture, His Holiness the 14th Dalai Lama has signed all copies of this Collector’s Edition. As pictured, Murals of Tibetcomes with a stand designed by Pritzker Prize-winning architect and humanitarian pioneer Shigeru Ban.

Click the images below to view more books from TASCHEN, now available from Zane Bennett Contemporary Art. Browse all of our TASCHEN titles and other books in our online shop.

 

 

David Hockney TASCHEN Book at Zane Bennett David Hockney, A Bigger Book

Andy Warhol TASCHEN book at Zane Bennett Gallery
Andy Warhol, Seven Illustrated Books, 1952 – 1959

 

TASCHEN book by Christopher Wool at Santa Fe gallery
Christopher Wool

 

The Gates by Christo and Jeanne-Claude book at Zane Bennett
Christo and Jeanne-Claude. The Gates

 

TASCHEN book Beatriz Millhazes at Zane Bennett
Beatriz Milhazes

Get Lost with Akira Yamaguchi.

Akira Yamaguchi- Artworks on Paper- Zane Bennett Contemporary Art- Santa Fe New Mexico

Akira Yamaguchi (b. 1969, Japan) is the kind of artist who lands in a circle of luminaries wherever he goes. Yamaguchi designed the cover art for the album V by the nu-jazz music duo United Future Organization, and illustrated the book Chronicles of My Life: An American in the Heart of Japan by Donald Keene. He’s good friends with the perennially hip director Sofia Coppola, who cast him as the bellhop in her Oscar-winning movie Lost in Translation. The artist’s densely detailed paintings of fantastical cityscapes, which modernize the multi-tiered aesthetic of Japanese Edo period pictures, would make perfect companion art for Coppola’s sprawling but hyperspecific film. Several prints of Yamaguchi’s images are part of the Zane Bennett Contemporary collection. Send your eyes on a visual walkabout!

Photo: Kawai Satoshi.

Akira Yamaguchi- Artwork on Paper- Zane Bennett Contemporary Art- Santa Fe New Mexico

Akira Yamaguchi
Tokei (Tokyo): Roppongi Hillsbronze
Inkjet Print
16 x 25 in
2005

Akira Yamaguchi- Artwork on Paper- Zane Bennett Contemporary Art- Santa Fe New Mexico

Akira Yamaguchi
Tokei (Tokyo): Hiroo and Roppongi
Inkjet Print
30 x 26 in
2005

Akira Yamaguchi- Artwork on Paper- Zane Bennett Contemporary Art- Santa Fe New Mexico

Akira Yamaguchi
Department Store: Nihonbashi Mitsukoshi
Inkjet Print
23 x 33 in
2011

Click here to browse the complete Zane Bennett Contemporary Art collection.

Guy Dill Paints in the Air.

Guy Dill Sculpture outside of Zane Bennett Contemporary Art- Santa Fe New Mexico

Guy Dill (b. 1946) doesn’t make preparatory sketches for his sculptures. He paints or prints abstract imagery, and then captures the flowing motion of the pigment in three dimensions. “I knew I had to discuss painting in a sculptural way,” the California artist explains. He started his art career in New York City—Donald Judd was an early benefactor—but settled in Los Angeles in the 1970’s. “New York is about New York, and LA is about the world,” he quips.

From his West Coast home, Dill has indeed conquered the globe with his monumental sculptures in bronze, aluminum and marble. He’s mounted over 50 one-man exhibitions, and appears in the permanent collections of the Solomon R. Guggenheim Museum, the Museum of Modern Art, and the Stedelijk Museum. Dill’s artworks in the Zane Bennett Contemporary collection exemplify the complete span of his process, from his initial explorations in two dimensions to a sculptural expression that towers above the viewer.

Guy Dill Sculpture- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Boon, bronze, 120 x 70 x 60 in., 2008
Guy Dill- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Untitled RTP, lithograph, 26 x 34 in, 2009
Guy Dill- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Untitled RTP, lithograph, 26 x 26 in., 2009
Guy Dill- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico
Guy Dill, Untitled RTP, lithograph, 26 x 34 in., 2009

Click here to browse the complete Zane Bennett Contemporary collection.

Judy Chicago: The Godmother

Judy Chicago- Portrait- The New York Times Magazine- Zane Bennett Contemporary Art

Judy Chicago is having a moment. In the past few months, she’s been featured in an Artsy podcast, profiled in an article for W Magazine, and hailed as “The Godmother” in a recent piece by New York Times Magazine. Here’s an excerpt:

Once your eye is trained to see Chicago’s imprint, it is everywhere, and unmistakable. It’s in Petra Collins’s menstruation-positive T-shirts; in the forthcoming installation on Sunset Boulevard in L.A. by Zoe Buckman of a huge uterus drawn in neon tubing crowned with boxing gloves; in the pink “pussy hats” that are worn in opposition to Trump’s election. Images like these — symbolically overt, politically and anatomically in-your-face, forcing a public confrontation with sexism — are all descended from Chicago’s imagination.

Another article that appeared in the New York Times a few days ago analyzed the tumultuous legacy of critical perspectives on Chicago’s most iconic work, The Dinner Party:

[Chicago] said that despite the art media’s early disparagement of her work, her way of overcoming the disappointment was to go into her studio and continue making art. She found a supportive community in Southern California’s Ferus boys, notably the American artist and sculptor Billy Al Bengston, from whom she said she learned quite a bit. “Early on, he told me: ‘Never read reviews. Just count the column inches and the number of pictures,’ advice I heeded for many years. And given the vicissitudes of my career, it was really good advice.”

Chicago’s fiery feminist statement on the rebirth of humanity, Birth Tear / Tear, appeared at our sister gallery form & concept when Chicago visited last February. Watch our Q&A with her here, and inquire about the piece below.

Image: Photograph by Collier Schorr. Styled by Suzanne Koller. New York Times Magazine.

Judy Chicago Artwork- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Judy Chicago
Birth Tear / Tear
serigraph
24 x 34 in
year: 1985

Click here to browse the complete Zane Bennett Contemporary collection.

Call Me Stella.

Frank Stella Portrait- Christopher Felver- Photography
Image: Frank Stella by Christopher Felver, silver gelatin print

The first thing you need to know about Frank Stella‘s (b.1936) Waves series is that the vibrant, mixed-media prints are monumental. Each of them measures at least 6 feet high and over 4 feet wide. The American artist employed a trifecta of printmaking techniques to create them: serigraphy, lithography and linocut. The prints are hand-colored and collaged, ensuring that each one is unique.

Stella created these marvels of post-painterly abstraction over a 12-year period, between 1985 and 1997. His epic endeavor seems quite fitting if you consider his source of inspiration. The Waves series is a tribute to Herman Melville’s seminal Great American Novel Moby-Dick. Stella imagines himself as a stowaway on the whaler ship Pequod, joining the narrator Ishmael to chronicle Captain Ahab’s tumultuous quest for revenge against the elusive white whale Moby Dick. Each print is an abstract summary for one of the book’s 135 chapters—an elemental, topsy turvy impression of life at sea. To hear Stella speak about the series, check out this excerpt from Studio 360’s Modern Icons podcast about Moby-Dick.

Stella was also influenced by abstract expressionism for this series. “This is paying my debt, or not so much paying my debt as expressing my admiration for the abstract generation I grew up with and that I admired the most,” he said of Waves.

Works from the Waves series have passed through the Zane Bennett Contemporary collection before, but this release is truly remarkable. We acquired the mint condition prints from a private collection—including several images that we’ve never had before. They all hail from the same pull, and are a low edition number. We’re offering special pricing and right of first refusal to collectors who are interested in purchasing all six as a set, so make sure to contact us quickly if you’d like to own a piece of artistic—and literary—history.

Frank Stella- The Great Heidelburgh Tun- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
The Great Heidelburgh Tun
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- The Pacific- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
The Pacific
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- Squid- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
Squid
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- Ahab- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
Ahab
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- Hark- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
Hark!
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Frank Stella- A Squeeze of the Hand- Mixed Media Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Frank Stella
A Squeeze of the Hand
serigraph, lithograph, linocut, hand coloring, and collage
Year: 1988

Click here to browse the complete Zane Bennett Contemporary Art collection.

Spotlight: Roberto Diago.

Roberto Diago- El Mar Es Mi Frontera- Mixed Media Painting- Zane Bennett Contemporary Art- Santa Fe New Mexico

Image: Roberto Diago, El Mar es mi Frontera, mixed media on wood

Afro-Cuban artist Roberto Diago (b. 1971) recently unveiled La Historia Recordada, a solo exhibition at the Halsey Institute of Contemporary Art in Charleston, SC. The show highlights Diago’s substantial contributions to political and cultural conversations within Cuba—and larger dialogues about race and history on the global stage. Hyperallergic reflected on his influence in a recent story, excerpted here:

Diago’s work is often a direct criticism of racism in Cuba and explores the roots and role of slavery in Cuban history and culture. His work frequently contains found materials from neighborhoods in Havana near his home and studio. Raw materials such as wood, metal, and textiles make up much of his work — often these materials contain traces of their former uses, such as paint or building materials. Diago tracks a lineage of painterly abstraction and other forms in modern Cuban art, condensing them into a body of work that explores the vestiges of slavery and segregation in contemporary Cuban life. 

Diago’s mixed media work El Mar Es mi Frontera (The Sea Is my Border) is a highlight of the Zane Bennett Contemporary collection. Look below for more artwork by legendary Latin American artists in the gallery.

Rufino Tamayo- Untitled Red Face- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Rufino Tamayo
Untitled (Red Face)
lithograph, 27.25 x 19.25 in.
year: 1973

Carlos Cruz-Diez- Caura-14- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Carlos Cruz-Diez
Caura-14
lithograph, 23.6 x 27.5 in
year: 2015

Roberto Matta- Nue Bu- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Roberto Matta
Nue Bu
lithograph, 25 x 17.5 in
year: 1979

Ibrahim Miranda- Scroll Composite- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Ibrahim Miranda
Scroll Composite
serigraph, 12 x 12 in.
year: 1991

Mika Rottenberg- U5- Drawing- Zane Bennett Contemporary Art- Santa Fe New Mexico

Mika Rottenberg
U5
graphite,acrylic,and colored pencil on paper, 12.5 x 16.75
year: 2008

 

Click here to browse the complete Zane Bennett Contemporary Art collection.

Fresh Blooms from Donald Sultan

Donald Sultan- Hamptons Magazine- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan (b. 1951) emerged as a master of the New Image movement in the 1970’s, producing elegant, minimalist imagery using industrial materials that were decidedly postminimal. Abstracted blooms are an iconic motif in his work. The new screen print in our collection offers a prime example of Sultan’s style, characterized by stark, black forms amid vibrant fields of color. In the print, tar and flocking enhance the dark fields, transforming them into infinite chasms with powerful visual gravity.

Scroll down to view our new Sultan screen print—along with a full bouquet of the artist’s flower compositions—in the Zane Bennett Contemporary collection, and click here to browse all available works.

Image: David A. Land, Hamptons Magazine.

Donald Sultan- Flower Screen Print- Red and Black- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan
Red Poppies, July 24, 2012
screen print with tar and flocking
year: 2012

Donald Sultan- Flower Aquatint- Green- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan- Flower Aquatint- Red- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan- Flower Aquatint- Black- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan- Flower Aquatint- Blue- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan
Trumpet (Green, Red, Black & Blue) 
aquatint, 31.50 x 27.87 in (each print)

Donald Sultan- Black Flower Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Donald Sultan
Black Flowers September 12
lithograph, 29.87 x 22 in.

Click here to view the complete Zane Bennett Contemporary Art collection.

Special Offers: Pop Art

Jim Dine- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico
Jim Dine, The Astra Tool AP, lithograph, 1985, 23.63 x 19.75 in.

Add a piece of art history to your walls this winter! There’s a new Special Offerssection on the Zane Bennett Contemporary Art website, featuring exceptional pricing on works by legendary artists. Scroll down to view prints by Pop Art icons and Pop-inspired artists from the new collection, and make sure to bookmark the Special Offers page for future additions.

Jim Dine
Black Ink Robe
lithograph
25.5 x 19.5 in.
year: 2005

Olivier Mosset
Yellow Star
serigraph
27.5 x 27.5 in.
year: 1998

Olivier Mosset
Number 9
serigraph on aluminum
10.62 x 7.87 in.
year: 2006

Donald Sultan
Black Flowers October 15
lithograph
29.87 x 22 in.
year: 1996

Mimmo Paladino
Atlantico II ( Figure Kneeling with Ladder & Chest of Drawers)
linoleum block print
74.25 x 23 in.
year: 1987

Click here to browse more artwork on our Special Offers page.

Ellsworth Kelly in Blue.

Ellsworth Kelly Portrait- Zane Bennett Contemporary Art- Santa Fe New Mexico
“I think that if you can turn off the mind and look only with the eyesultimately everything becomes abstract,” said Ellsworth Kelly (1923 – 2015). Kelly’s abstraction is rooted in the real world. His strong sense of form and color has often been tied to his time in the military, affinity for bird watching, and observations of nature. Although simplistic in imagery, Kelly’s work holds a certain tension. “I think what we all want from art is a sense of fixity, a sense of opposing the chaos of daily living,” said Kelly. “This an illusion, of course. Canvas rots. Paint changes color. In a sense, what I’ve tried to capture is the reality of flux, to keep art an open, incomplete situation, to get at the rapture ofseeing.”

Kelly was a pioneer of Color Field painting and minimalism whose influence extends across the second half the 20th century to the present.This is exemplified by the story behind Kelly’s Untitled (1983), a hand-signed lithograph that was included in the Eight by Eight to Celebrate the Temporary Contemporary suite. The portfolio features artwork by eight prominent artists, and was used as a fundraising vehicle for the Museum of Contemporary Art (MOCA) in Los Angeles. The artists who participated were Kelly, Richard Diebenkorn, Sam Francis, David Hockney, Robert Rauschenberg, Niki de Saint Phalle, Jean Tinguely, and Andy Warhol. This iconic collection is a testament to the cultural milieu of the United States in the 1980’s. This is a rare opportunity to own a piece of this illustrious history.

Photo Credit: Fred R. Conrad/The New York Times
Ellsworth Kelly- Color Lithograph- Eight by Eight- Zane Bennett Contemporary Art- Santa Fe New Mexico

Ellsworth Kelly
Untitled (Eight by Eight to Celebrate the Temporary Contemporary)
color lithograph
29 x 41 in.
year: 1983

Click here to browse the complete Zane Bennett Contemporary Art collection.

Sol LeWitt’s Emblemata Series.

Sol LeWitt (1928-2007) is regarded as a founder of both Minimal and Conceptual art. His prolific two and three-dimensional oeuvre includes wall drawings (over 1200 of which have been executed), hundreds of works on paper, and structures in the form of towers, pyramids, geometric forms, and progressions. He’s also known for his postcard correspondence with famous contemporaries such as Eva Hesse and On Kawara.

For his Emblemata series of monotypes from 2000, LeWitt experimented with yet another medium: the book. Maurizio Londei of the Italian imprint Edizioni Essegi challenged LeWitt and other artistic titans, such as Richard Long and Pier Paolo Calzolari, to “transpose their emblematic essence” into print portfolios. The idea was for the artist to create an “ideal volume” that could serve as a direct conduit between artist and viewer, passing vital knowledge between them. LeWitt responded to this challenge with a series of 15 monotypes bearing his idiosyncratic two-toned palette and iconic, exuberant squiggle forms. The series doesn’t incorporate words nor is it bound, but it’s nonetheless successful as a late-career “text” bearing all the wisdom of LeWitt’s long and illustrious career. Scroll down to view prints from the series, and click here to browse all of the images. The Emblemata series is exclusively available as a complete set.

Sol LeWitt- Emblemata Print Series- Monotypes- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sol LeWitt
Emblemata
monotype, 11.25 x 22.37 in
2000

Sol LeWitt- Emblemata Print Series- Monotypes- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sol LeWitt- Emblemata Print Series- Monotypes- Zane Bennett Contemporary Art- Santa Fe New Mexico

Sol LeWitt- Emblemata Print Series- Monotypes- Zane Bennett Contemporary Art- Santa Fe New Mexico

Halloween Art.

Mimmo Paladino- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Mimmo Paladino, Atlantico VI (Skeleton)linoleum block print, 74.25 x 23 in., 1987

Halloween is upon us, so we conjured a batch of spooky art from the Zane Bennett Contemporary collection. Behold Jim Dine’s raven à la Edgar Allan Poe, a spider web by Vija Celmins, a marionette masquerading as Frida Kahlo by Armond Lara, and other dark, mysterious creations. Trick or treat!

James Drake Prints- Zane Bennett Contemporary Art- Santa Fe New Mexico

James Drake
Salon of a Thousand Souls
lithograph
57 x 43 in.
1996

Armond Lara Sculpture- Zane Bennett Contemporary Art- Santa Fe New Mexico

Armond Lara
Marionette “As Frida”
wood and mixed media
36 x 15.50 x 16 in.

Manuel Amorim- Woodcut- Zane Bennett Contemporary Art- Santa Fe New Mexico

Manuel Amorim
Metamorphose
woodcut
17.75 x 11.75 in.

Vija Celmins- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Vija Celmins
Spider Web
serigraph
10.88 x 13 in.
2009

Jim Dine- Lithograph- Zane Bennett Contemporary Art- Santa Fe New Mexico

Jim Dine
Sun’s Night Glow
lithograph
35.5 x 51.5 in.
2000

Juan Jose Molina- Fine Art Print- Zane Bennett Contemporary Art- Santa Fe New Mexico

Juan Jose Molina
Untitled
lithograph
34 x 24.25 in.
1998

Click here to browse the complete Zane Bennett Contemporary collection.

Helen Frankenthaler’s Reflections.

Helen Frankenthaler- Works on Paper- Zane Bennett Contemporary Arts- Santa Fe New Mexico

“A really good picture looks as if it has happened at once,” said Helen Frankenthaler (1928-2011). “It’s an immediate image.” The West Coast artist developed an entire painting technique around this idea. By thinning her oils with turpentine or water and splashing them across canvases, she created abstract images that possessed the immediacy she was after. Famed art critic Clement Greenberg heralded her “soak-stain” compositions as the next step in abstract expressionism’s evolution, after Jackson Pollock’s breakthrough drip paintings rocked the world.

“When Greenberg brought the abstract painters Kenneth Noland and Morris Louis to Frankenthaler’s studio in 1953, they seized upon both her technique and the broad, flat expanses of color she created,” writes Jon Mann for Artsy. “Greenberg was quick to… highlight a second impulse and aesthetic in Abstract Expressionism—Color Field Painting—of which Frankenthaler would be a leading exponent for over a decade.” Frankenthaler’s lithograph Reflections X exemplifies the flowing, lyrical nature of her best paintings. It’s from her Reflections series, 12 lithographs that she made with Tyler Graphics in 1995. Scroll down to see the new piece, and two other prints from the Zane Bennett Contemporary collection.

Helen Frankenthaler- Reflections X- Series Lithograph- Zane Bennett Contemporary Art

Helen Frankenthaler
Reflections X
lithograph
14.75 x 11.75 in.

Helen Frankenthaler- Yellow Jack- Lithograph- Zane Bennett Contemporary Art

Helen Frankenthaler
Yellow Jack
lithograph
30 x 38 in
1987

Helen Frankenthaler
The Clearing
woodcut
16.75 x 21 in

Click here to learn more about artwork by Helen Frankenthaler in the Zane Bennett Contemporary Collection.