Donald Sultan (b. 1951) emerged as a master of the New Image movement in the 1970’s, producing elegant, minimalist imagery using industrial materials that were decidedly postminimal. Abstracted blooms are an iconic motif in his work. The new screen print in our collection offers a prime example of Sultan’s style, characterized by stark, black forms amid vibrant fields of color. In the print, tar and flocking enhance the dark fields, transforming them into infinite chasms with powerful visual gravity.
Scroll down to view our new Sultan screen print—along with a full bouquet of the artist’s flower compositions—in the Zane Bennett Contemporary collection, and click here to browse all available works.
Add a piece of art history to your walls this winter! There’s a new Special Offerssection on the Zane Bennett Contemporary Art website, featuring exceptional pricing on works by legendary artists. Scroll down to view prints by Pop Art icons and Pop-inspired artists from the new collection, and make sure to bookmark the Special Offers page for future additions.
“I thinkthat if you can turn off the mind and look only with the eyes, ultimately everything becomes abstract,” said Ellsworth Kelly (1923 – 2015).Kelly’s abstraction is rooted in the real world.His strong sense of form and color has often been tied to his time in the military, affinity for bird watching, and observations of nature. Although simplistic in imagery, Kelly’s work holds a certain tension.“I think what we all want from art is a sense of fixity, a sense of opposing the chaos of daily living,” said Kelly. “This an illusion, of course. Canvas rots. Paint changes color. In a sense, what I’ve tried to capture is the reality of flux, to keep art an open, incomplete situation, to get at the rapture ofseeing.”
Kelly was a pioneer of Color Field painting and minimalism whose influence extends across the second half the 20th century to the present.This is exemplified by the story behind Kelly’s Untitled (1983), a hand-signed lithograph that was included in the Eight by Eight to Celebrate the Temporary Contemporary suite. The portfolio features artwork by eight prominent artists, and was used as a fundraising vehicle for the Museum of Contemporary Art (MOCA) in Los Angeles. The artists who participated were Kelly, Richard Diebenkorn, Sam Francis, David Hockney, Robert Rauschenberg, Niki de Saint Phalle, Jean Tinguely, and Andy Warhol. This iconic collection is a testament to the cultural milieu of the United States in the 1980’s. This is a rare opportunity to own a piece of this illustrious history.
Sol LeWitt (1928-2007) is regarded as a founder of both Minimal and Conceptual art. His prolific two and three-dimensional oeuvre includes wall drawings (over 1200 of which have been executed), hundreds of works on paper, and structures in the form of towers, pyramids, geometric forms, and progressions. He’s also known for his postcard correspondence with famous contemporaries such as Eva Hesse and On Kawara.
For his Emblemata series of monotypes from 2000, LeWitt experimented with yet another medium: the book. Maurizio Londei of the Italian imprint Edizioni Essegi challenged LeWitt and other artistic titans, such as Richard Long and Pier Paolo Calzolari, to “transpose their emblematic essence” into print portfolios. The idea was for the artist to create an “ideal volume” that could serve as a direct conduit between artist and viewer, passing vital knowledge between them. LeWitt responded to this challenge with a series of 15 monotypes bearing his idiosyncratic two-toned palette and iconic, exuberant squiggle forms. The series doesn’t incorporate words nor is it bound, but it’s nonetheless successful as a late-career “text” bearing all the wisdom of LeWitt’s long and illustrious career. Scroll down to view prints from the series, and click here to browse all of the images. The Emblemata series is exclusively available as a complete set.
Sol LeWitt Emblemata
monotype, 11.25 x 22.37 in
Halloween is upon us, so we conjured a batch of spooky art from the Zane Bennett Contemporary collection. Behold Jim Dine’s raven à la Edgar Allan Poe, a spider web by Vija Celmins, a marionette masquerading as Frida Kahlo by Armond Lara, and other dark, mysterious creations. Trick or treat!
“A really good picture looks as if it has happened at once,” said Helen Frankenthaler (1928-2011). “It’s an immediate image.” The West Coast artist developed an entire painting technique around this idea. By thinning her oils with turpentine or water and splashing them across canvases, she created abstract images that possessed the immediacy she was after. Famed art critic Clement Greenberg heralded her “soak-stain” compositions as the next step in abstract expressionism’s evolution, after Jackson Pollock’s breakthrough drip paintings rocked the world.
“When Greenberg brought the abstract painters Kenneth Noland and Morris Louis to Frankenthaler’s studio in 1953, they seized upon both her technique and the broad, flat expanses of color she created,” writes Jon Mann for Artsy. “Greenberg was quick to… highlight a second impulse and aesthetic in Abstract Expressionism—Color Field Painting—of which Frankenthaler would be a leading exponent for over a decade.” Frankenthaler’s lithograph Reflections X exemplifies the flowing, lyrical nature of her best paintings. It’s from her Reflections series, 12 lithographs that she made with Tyler Graphics in 1995. Scroll down to see the new piece, and two other prints from the Zane Bennett Contemporary collection.