Josef Albers

Josef Albers was a German-born American artist and educator whose abstract geometric paintings and pioneering theory of color perception heavily influenced the approaches of hard-edge abstraction, Op art, and conceptual art. The enduring legacy of Josef Albers as one of the most significant figures in 20th-century art began in 1922 when he joined the faculty of the Weimar Bauhaus, an avant-garde institution whose guiding philosophy sought to merge fine art, artisanship, and technology to create objects that were considered beautiful for their functionality, refinement, and ability to be mass-produced.

As the Bauhaus school sought to merge disparate fields, so too did Albers’s artistic practice unify the divergent endeavors of art and cognitive psychology. Defined by a unique blend of artistic inquiry and scholastic rigor, his oeuvre distills extensive, iterative research into formally minimal compositions of outsized visual impact. Best known for his Homage to the Square series, which featured chromatically saturated squares nested within one another, Albers also applied his compositional discipline to his parallel practices as a designer, photographer, and printmaker.

His 1963 book, Interaction of Color, is considered a seminal text on color theory and influenced the trajectory of postwar Western visual art. His emphasis on experiential instruction as an instructor at the experimental Black Mountain College and as the head of the department of design at Yale instilled in his pupils, such as Richard Anuskiewicz, Ruth Asawa, and Robert Rauschenberg, a focus on process.

Works by Josef Albers are held in numerous public and private collections globally, including the Metropolitan Museum of Art, the Museum of Modern Art, the Pinault Collection, and Tate Modern.