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Logan Royce Beitmen, senior staff writer of arts and culture at the Albuquerque Journal, explores the the diverse influences and art historical touch points of China Marks's largest exhibition to date, Lucid Perturbations. From the maximalist approach of artists like Philip Taaffe and Fred Tomaselli to the cultural legacy of Gee's Bend quilts, Beitmen's  review provides several related frameworks for interpreting the many facets of Marks's singular vision.