‘Abstract Climates’: Helen Frankenthaler’s Ode to Provincetown
Karen Rosenberg, The New York Times, August 29, 2019
Helen Frankenthaler in her studio “in the woods” in Provincetown, 1968. Working on the floor, she poured thinned paint directly onto raw, unprimed canvas, a technique that established the Color Field movement. Credit: Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York; J. Paul Getty Trust; via Alexander Liberman Photography Archive; Getty Research Institute
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